Listening to the Magnetosphere: How Best to Make ULF Waves Audible

Observations across the heliosphere typically rely on in situ spacecraft observations producing time-series data. While often this data is analysed visually, it lends itself more naturally to our sense of sound. The simplest method of converting oscillatory data into audible sound is audification—a...

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Main Authors: Martin O. Archer, Marek Cottingham, Michael D. Hartinger, Xueling Shi, Shane Coyle, Ethan “Duke” Hill, Michael F. J. Fox, Emmanuel V. Masongsong
Format: Article
Language:English
Published: Frontiers Media S.A. 2022-06-01
Series:Frontiers in Astronomy and Space Sciences
Subjects:
Online Access:https://www.frontiersin.org/articles/10.3389/fspas.2022.877172/full
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author Martin O. Archer
Marek Cottingham
Michael D. Hartinger
Xueling Shi
Xueling Shi
Shane Coyle
Ethan “Duke” Hill
Michael F. J. Fox
Emmanuel V. Masongsong
author_facet Martin O. Archer
Marek Cottingham
Michael D. Hartinger
Xueling Shi
Xueling Shi
Shane Coyle
Ethan “Duke” Hill
Michael F. J. Fox
Emmanuel V. Masongsong
author_sort Martin O. Archer
collection DOAJ
description Observations across the heliosphere typically rely on in situ spacecraft observations producing time-series data. While often this data is analysed visually, it lends itself more naturally to our sense of sound. The simplest method of converting oscillatory data into audible sound is audification—a one-to-one mapping of data samples to audio samples—which has the benefit that no information is lost, thus is a true representation of the original data. However, audification can make some magnetospheric ULF waves observations pass by too quickly for someone to realistically be able to listen to effectively. For this reason, we detail various existing audio time scale modification techniques developed for music, applying these to ULF wave observations by spacecraft and exploring how they affect the properties of the resulting audio. Through a public dialogue we arrive at recommendations for ULF wave researchers on rendering these waves audible and discuss the scientific and educational possibilities of these new methods.
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spelling doaj.art-42cc123c2f634e328c658797c61100012022-12-22T00:57:47ZengFrontiers Media S.A.Frontiers in Astronomy and Space Sciences2296-987X2022-06-01910.3389/fspas.2022.877172877172Listening to the Magnetosphere: How Best to Make ULF Waves AudibleMartin O. Archer0Marek Cottingham1Michael D. Hartinger2Xueling Shi3Xueling Shi4Shane Coyle5Ethan “Duke” Hill6Michael F. J. Fox7Emmanuel V. Masongsong8Department of Physics, Imperial College London, London, United KingdomDepartment of Physics, Imperial College London, London, United KingdomSpace Science Institute, Boulder, CO, United StatesDepartment of Electrical and Computer Engineering, Virginia Polytechnic Institute and State University, Blacksburg, VA, United StatesHigh Altitude Observatory, National Center for Atmospheric Research, Boulder, CO, United StatesDepartment of Electrical and Computer Engineering, Virginia Polytechnic Institute and State University, Blacksburg, VA, United StatesDepartment of Electrical and Computer Engineering, Virginia Polytechnic Institute and State University, Blacksburg, VA, United StatesDepartment of Physics, Imperial College London, London, United KingdomEarth, Planetary, and Space Sciences Department, University of California, Los Angeles, Los Angeles, CA, United StatesObservations across the heliosphere typically rely on in situ spacecraft observations producing time-series data. While often this data is analysed visually, it lends itself more naturally to our sense of sound. The simplest method of converting oscillatory data into audible sound is audification—a one-to-one mapping of data samples to audio samples—which has the benefit that no information is lost, thus is a true representation of the original data. However, audification can make some magnetospheric ULF waves observations pass by too quickly for someone to realistically be able to listen to effectively. For this reason, we detail various existing audio time scale modification techniques developed for music, applying these to ULF wave observations by spacecraft and exploring how they affect the properties of the resulting audio. Through a public dialogue we arrive at recommendations for ULF wave researchers on rendering these waves audible and discuss the scientific and educational possibilities of these new methods.https://www.frontiersin.org/articles/10.3389/fspas.2022.877172/fullmagnetosphereULF wavesAlfvén continuumsonificationtime scale modificationpublic dialogue
spellingShingle Martin O. Archer
Marek Cottingham
Michael D. Hartinger
Xueling Shi
Xueling Shi
Shane Coyle
Ethan “Duke” Hill
Michael F. J. Fox
Emmanuel V. Masongsong
Listening to the Magnetosphere: How Best to Make ULF Waves Audible
Frontiers in Astronomy and Space Sciences
magnetosphere
ULF waves
Alfvén continuum
sonification
time scale modification
public dialogue
title Listening to the Magnetosphere: How Best to Make ULF Waves Audible
title_full Listening to the Magnetosphere: How Best to Make ULF Waves Audible
title_fullStr Listening to the Magnetosphere: How Best to Make ULF Waves Audible
title_full_unstemmed Listening to the Magnetosphere: How Best to Make ULF Waves Audible
title_short Listening to the Magnetosphere: How Best to Make ULF Waves Audible
title_sort listening to the magnetosphere how best to make ulf waves audible
topic magnetosphere
ULF waves
Alfvén continuum
sonification
time scale modification
public dialogue
url https://www.frontiersin.org/articles/10.3389/fspas.2022.877172/full
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