Documentary images:aesthetic subjectivities e apolitical

This study intends to analyze images in three categories of films that contemplate dictatorial political regimes: documentaries, films based on real facts and feature films. I argue that images of the three categories can document “factuality” and are what I call “documental images”. Furthermore, th...

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Main Author: Denize Correa Araujo
Format: Article
Language:Spanish
Published: Universidade Estadual de Londrina 2014-12-01
Series:Discursos Fotográficos
Subjects:
Online Access:http://www.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/19793
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author Denize Correa Araujo
author_facet Denize Correa Araujo
author_sort Denize Correa Araujo
collection DOAJ
description This study intends to analyze images in three categories of films that contemplate dictatorial political regimes: documentaries, films based on real facts and feature films. I argue that images of the three categories can document “factuality” and are what I call “documental images”. Furthermore, they can contribute for a “metamorphosis-memory”, a kind of memory that reconstructs itself continuously according to new representations of dictatorships in films. The frame of reference includes theories by Bakhtin, Baudrillard, Benjamin, Debord, Derrida, Halbwachs,Metz, Nichols and Sarlo, among others.
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spelling doaj.art-42f055fed38a4a97b37c017cd338d0f92022-12-21T18:45:37ZspaUniversidade Estadual de LondrinaDiscursos Fotográficos1808-56521984-79392014-12-0110178711610.5433/1984-7939.2014v10n17p8711330Documentary images:aesthetic subjectivities e apoliticalDenize Correa Araujo0Universidade Tuiuti do Paraná - UTPThis study intends to analyze images in three categories of films that contemplate dictatorial political regimes: documentaries, films based on real facts and feature films. I argue that images of the three categories can document “factuality” and are what I call “documental images”. Furthermore, they can contribute for a “metamorphosis-memory”, a kind of memory that reconstructs itself continuously according to new representations of dictatorships in films. The frame of reference includes theories by Bakhtin, Baudrillard, Benjamin, Debord, Derrida, Halbwachs,Metz, Nichols and Sarlo, among others.http://www.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/19793Palavras-chave: DitadurasImagens documentaisMemória-metamorfoseFactualidade.
spellingShingle Denize Correa Araujo
Documentary images:aesthetic subjectivities e apolitical
Discursos Fotográficos
Palavras-chave: Ditaduras
Imagens documentais
Memória-metamorfose
Factualidade.
title Documentary images:aesthetic subjectivities e apolitical
title_full Documentary images:aesthetic subjectivities e apolitical
title_fullStr Documentary images:aesthetic subjectivities e apolitical
title_full_unstemmed Documentary images:aesthetic subjectivities e apolitical
title_short Documentary images:aesthetic subjectivities e apolitical
title_sort documentary images aesthetic subjectivities e apolitical
topic Palavras-chave: Ditaduras
Imagens documentais
Memória-metamorfose
Factualidade.
url http://www.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/19793
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