Style et idéologie dans le roman noir
This article aims to examine the way in which the ideological posture of late twentieth century crime fiction writers impacts on stylistic and structural aspects of the text. Taking novels by Jean-Patrick Manchette, Didier Daeninckx and Dominique Manotti as examples for this analysis, the extent to...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | fra |
| Published: |
Pléiade (EA 7338)
2015-12-01
|
| Series: | Itinéraires |
| Subjects: | |
| Online Access: | http://journals.openedition.org/itineraires/2685 |
| _version_ | 1819023961066831872 |
|---|---|
| author | Véronique Desnain |
| author_facet | Véronique Desnain |
| author_sort | Véronique Desnain |
| collection | DOAJ |
| description | This article aims to examine the way in which the ideological posture of late twentieth century crime fiction writers impacts on stylistic and structural aspects of the text. Taking novels by Jean-Patrick Manchette, Didier Daeninckx and Dominique Manotti as examples for this analysis, the extent to which these authors’ writing is influenced by their experience as political activists will be highlighted. It will also show that the changes that can be observed in French crime fiction from the 1980s to the present are a direct consequence of their desire to make explicit the ideology implicit in all works of fiction, and in particular in crime fiction. |
| first_indexed | 2024-12-21T04:47:12Z |
| format | Article |
| id | doaj.art-434f4f63cc344207a9dc1af935fd64db |
| institution | Directory Open Access Journal |
| issn | 2427-920X |
| language | fra |
| last_indexed | 2024-12-21T04:47:12Z |
| publishDate | 2015-12-01 |
| publisher | Pléiade (EA 7338) |
| record_format | Article |
| series | Itinéraires |
| spelling | doaj.art-434f4f63cc344207a9dc1af935fd64db2022-12-21T19:15:32ZfraPléiade (EA 7338)Itinéraires2427-920X2015-12-012015110.4000/itineraires.2685Style et idéologie dans le roman noirVéronique DesnainThis article aims to examine the way in which the ideological posture of late twentieth century crime fiction writers impacts on stylistic and structural aspects of the text. Taking novels by Jean-Patrick Manchette, Didier Daeninckx and Dominique Manotti as examples for this analysis, the extent to which these authors’ writing is influenced by their experience as political activists will be highlighted. It will also show that the changes that can be observed in French crime fiction from the 1980s to the present are a direct consequence of their desire to make explicit the ideology implicit in all works of fiction, and in particular in crime fiction.http://journals.openedition.org/itineraires/2685crime fictionnoir fictionideologystylehistory |
| spellingShingle | Véronique Desnain Style et idéologie dans le roman noir Itinéraires crime fiction noir fiction ideology style history |
| title | Style et idéologie dans le roman noir |
| title_full | Style et idéologie dans le roman noir |
| title_fullStr | Style et idéologie dans le roman noir |
| title_full_unstemmed | Style et idéologie dans le roman noir |
| title_short | Style et idéologie dans le roman noir |
| title_sort | style et ideologie dans le roman noir |
| topic | crime fiction noir fiction ideology style history |
| url | http://journals.openedition.org/itineraires/2685 |
| work_keys_str_mv | AT veroniquedesnain styleetideologiedansleromannoir |