<i>Celestina</i> – a Spanish Novel on the East German Stage before and after German Reunification

This study compares two East German adaptations of Celestina —written before and after German Reunification in 1990. Both adaptations change Fernando de Rojas’ story line in very different ways. While Karl Mickel introduces two members of the Inquisition into the ensemble of the protagonists who pla...

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Main Author: Gabriele Eckhart
Format: Article
Language:English
Published: Universidad de Valencia, Departamento de Filología Española 2021-01-01
Series:Celestinesca
Subjects:
Online Access:https://ojs.uv.es/index.php/celestinesca/article/view/20060
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author Gabriele Eckhart
author_facet Gabriele Eckhart
author_sort Gabriele Eckhart
collection DOAJ
description This study compares two East German adaptations of Celestina —written before and after German Reunification in 1990. Both adaptations change Fernando de Rojas’ story line in very different ways. While Karl Mickel introduces two members of the Inquisition into the ensemble of the protagonists who plan and direct the plot, Manfred Wekwerth introduces the figure of a hypocrite priest and also intensifies Celestina’s greed and entrepreneurial abilities by adding more dialogues between her and her accomplices that circle around the word «money».The reasons for these different changes are sociopolitical. While Mickel uses Fernando de Rojas’ text to have a critical look at East German reality before the fall of the Wall with its omnipresent state police, Wekwerth uses the same text to express his unhappiness about the introduction of market economy in this part of the world.
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spelling doaj.art-43a6b3720d7142138b5d2ed7fd9defdb2024-11-02T23:40:00ZengUniversidad de Valencia, Departamento de Filología EspañolaCelestinesca0147-30852695-71832021-01-01300274110.7203/Celestinesca.30.2006014663<i>Celestina</i> – a Spanish Novel on the East German Stage before and after German ReunificationGabriele EckhartThis study compares two East German adaptations of Celestina —written before and after German Reunification in 1990. Both adaptations change Fernando de Rojas’ story line in very different ways. While Karl Mickel introduces two members of the Inquisition into the ensemble of the protagonists who plan and direct the plot, Manfred Wekwerth introduces the figure of a hypocrite priest and also intensifies Celestina’s greed and entrepreneurial abilities by adding more dialogues between her and her accomplices that circle around the word «money».The reasons for these different changes are sociopolitical. While Mickel uses Fernando de Rojas’ text to have a critical look at East German reality before the fall of the Wall with its omnipresent state police, Wekwerth uses the same text to express his unhappiness about the introduction of market economy in this part of the world.https://ojs.uv.es/index.php/celestinesca/article/view/20060celestina, traducción, teatro, alemania
spellingShingle Gabriele Eckhart
<i>Celestina</i> – a Spanish Novel on the East German Stage before and after German Reunification
Celestinesca
celestina, traducción, teatro, alemania
title <i>Celestina</i> – a Spanish Novel on the East German Stage before and after German Reunification
title_full <i>Celestina</i> – a Spanish Novel on the East German Stage before and after German Reunification
title_fullStr <i>Celestina</i> – a Spanish Novel on the East German Stage before and after German Reunification
title_full_unstemmed <i>Celestina</i> – a Spanish Novel on the East German Stage before and after German Reunification
title_short <i>Celestina</i> – a Spanish Novel on the East German Stage before and after German Reunification
title_sort i celestina i a spanish novel on the east german stage before and after german reunification
topic celestina, traducción, teatro, alemania
url https://ojs.uv.es/index.php/celestinesca/article/view/20060
work_keys_str_mv AT gabrieleeckhart icelestinaiaspanishnovelontheeastgermanstagebeforeandaftergermanreunification