Nietzsche and the Ancient Greeks: Philosopher-Artist as Founder of the Noble Culture

Ancient Greek culture, philosophy, and art are very important to Nietzsche. Despite his highly critical and radical view of the entire Western cultural tradition, he always praises ancient Greek culture as the noblest human culture. His attention to the ancient Greeks is largely a consequence of Nie...

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Main Authors: Amin Dorosti, Ahmad Ali Heidari
Format: Article
Language:fas
Published: Allameh Tabataba'i University Press 2023-03-01
Series:حکمت و فلسفه
Subjects:
Online Access:https://wph.atu.ac.ir/article_15964_18a7f773a23c68edf1326bb85adcb808.pdf
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author Amin Dorosti
Ahmad Ali Heidari
author_facet Amin Dorosti
Ahmad Ali Heidari
author_sort Amin Dorosti
collection DOAJ
description Ancient Greek culture, philosophy, and art are very important to Nietzsche. Despite his highly critical and radical view of the entire Western cultural tradition, he always praises ancient Greek culture as the noblest human culture. His attention to the ancient Greeks is largely a consequence of Nietzsche's central concern: the “crisis of nihilism”. Nietzsche seeks to eliminate nihilism through the creation of a Noble culture. His underlying idea of culture is Goethe's idea of “harmonious manifoldness” or “unity in diversity”. He emphasizes that in any era, a fundamental unifying factor can be the founder of a healthy culture; in his view, saints, philosophers, and artists are the main candidates for the foundation of culture. In this article, we try to show that in his first theoretical attempt to create a Noble culture, Nietzsche chooses an aesthetic perspective (thesis), but this perspective isn't satisfactory, so he changes his perspective and looks at culture from a philosophical perspective (antithesis). The opposition and at the same time, the coexistence of these two perspectives leads to a "synthesis": the harmonious alliance of philosophy and art to create a culture. The embodiment of this synthesis is the “philosopher-artist”; one who has “knowledge” and “creativity” at once; “future philosopher”; a creator of new values! In this paper, we try to show that this synthesis doesn't lead to a third thing, different from thesis and antithesis, in which contradiction and conflict have been settled; instead, this synthesis is exactly the same simultaneous opposition and harmony of these forces. This unity of contradictory forces is a recurring concept in Nietzsche's thought.
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spelling doaj.art-43da94df4b52485e968830105bab266e2023-12-18T10:48:27ZfasAllameh Tabataba'i University Pressحکمت و فلسفه1735-32382476-60382023-03-011973598210.22054/wph.2023.72486.214115964Nietzsche and the Ancient Greeks: Philosopher-Artist as Founder of the Noble CultureAmin Dorosti0Ahmad Ali Heidari1PhD Student in Philosophy, Allameh Tabataba'i University, Tehran, IranProfessor of Philosophy, Allameh ‎Tabataba'i University, Tehran, IranAncient Greek culture, philosophy, and art are very important to Nietzsche. Despite his highly critical and radical view of the entire Western cultural tradition, he always praises ancient Greek culture as the noblest human culture. His attention to the ancient Greeks is largely a consequence of Nietzsche's central concern: the “crisis of nihilism”. Nietzsche seeks to eliminate nihilism through the creation of a Noble culture. His underlying idea of culture is Goethe's idea of “harmonious manifoldness” or “unity in diversity”. He emphasizes that in any era, a fundamental unifying factor can be the founder of a healthy culture; in his view, saints, philosophers, and artists are the main candidates for the foundation of culture. In this article, we try to show that in his first theoretical attempt to create a Noble culture, Nietzsche chooses an aesthetic perspective (thesis), but this perspective isn't satisfactory, so he changes his perspective and looks at culture from a philosophical perspective (antithesis). The opposition and at the same time, the coexistence of these two perspectives leads to a "synthesis": the harmonious alliance of philosophy and art to create a culture. The embodiment of this synthesis is the “philosopher-artist”; one who has “knowledge” and “creativity” at once; “future philosopher”; a creator of new values! In this paper, we try to show that this synthesis doesn't lead to a third thing, different from thesis and antithesis, in which contradiction and conflict have been settled; instead, this synthesis is exactly the same simultaneous opposition and harmony of these forces. This unity of contradictory forces is a recurring concept in Nietzsche's thought.https://wph.atu.ac.ir/article_15964_18a7f773a23c68edf1326bb85adcb808.pdffriedrich nietzscheartancient greekstragic knowledgemodern culture crisisnoble culture
spellingShingle Amin Dorosti
Ahmad Ali Heidari
Nietzsche and the Ancient Greeks: Philosopher-Artist as Founder of the Noble Culture
حکمت و فلسفه
friedrich nietzsche
art
ancient greeks
tragic knowledge
modern culture crisis
noble culture
title Nietzsche and the Ancient Greeks: Philosopher-Artist as Founder of the Noble Culture
title_full Nietzsche and the Ancient Greeks: Philosopher-Artist as Founder of the Noble Culture
title_fullStr Nietzsche and the Ancient Greeks: Philosopher-Artist as Founder of the Noble Culture
title_full_unstemmed Nietzsche and the Ancient Greeks: Philosopher-Artist as Founder of the Noble Culture
title_short Nietzsche and the Ancient Greeks: Philosopher-Artist as Founder of the Noble Culture
title_sort nietzsche and the ancient greeks philosopher artist as founder of the noble culture
topic friedrich nietzsche
art
ancient greeks
tragic knowledge
modern culture crisis
noble culture
url https://wph.atu.ac.ir/article_15964_18a7f773a23c68edf1326bb85adcb808.pdf
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