The making of “Nok terracotta”
The famous terracottas of the Nok culture of central Nigeria represent the oldest figurative art of sub-Saharan Africa. This article describes the reproduction of such a terracotta by a Nigerian craftsman. The technical aspects – clay preparation, tooling, production process – as well as the clear d...
Main Authors: | , |
---|---|
Format: | Article |
Language: | English |
Published: |
OpenEdition
2007-02-01
|
Series: | Afrique Archéologie Arts |
Subjects: | |
Online Access: | http://journals.openedition.org/aaa/1398 |
_version_ | 1818741553767645184 |
---|---|
author | Peter Breunig James Ameje |
author_facet | Peter Breunig James Ameje |
author_sort | Peter Breunig |
collection | DOAJ |
description | The famous terracottas of the Nok culture of central Nigeria represent the oldest figurative art of sub-Saharan Africa. This article describes the reproduction of such a terracotta by a Nigerian craftsman. The technical aspects – clay preparation, tooling, production process – as well as the clear design of the finished product and the different stages that the artist has in mind during the entire process are particularly interesting. |
first_indexed | 2024-12-18T01:58:27Z |
format | Article |
id | doaj.art-43dd2b6cf85548ab9b6cbd2e85af3255 |
institution | Directory Open Access Journal |
issn | 2431-2045 |
language | English |
last_indexed | 2024-12-18T01:58:27Z |
publishDate | 2007-02-01 |
publisher | OpenEdition |
record_format | Article |
series | Afrique Archéologie Arts |
spelling | doaj.art-43dd2b6cf85548ab9b6cbd2e85af32552022-12-21T21:24:50ZengOpenEditionAfrique Archéologie Arts2431-20452007-02-0149110210.4000/aaa.1398The making of “Nok terracotta”Peter BreunigJames AmejeThe famous terracottas of the Nok culture of central Nigeria represent the oldest figurative art of sub-Saharan Africa. This article describes the reproduction of such a terracotta by a Nigerian craftsman. The technical aspects – clay preparation, tooling, production process – as well as the clear design of the finished product and the different stages that the artist has in mind during the entire process are particularly interesting.http://journals.openedition.org/aaa/1398Nokterracottastatuaryart |
spellingShingle | Peter Breunig James Ameje The making of “Nok terracotta” Afrique Archéologie Arts Nok terracotta statuary art |
title | The making of “Nok terracotta” |
title_full | The making of “Nok terracotta” |
title_fullStr | The making of “Nok terracotta” |
title_full_unstemmed | The making of “Nok terracotta” |
title_short | The making of “Nok terracotta” |
title_sort | making of nok terracotta |
topic | Nok terracotta statuary art |
url | http://journals.openedition.org/aaa/1398 |
work_keys_str_mv | AT peterbreunig themakingofnokterracotta AT jamesameje themakingofnokterracotta AT peterbreunig makingofnokterracotta AT jamesameje makingofnokterracotta |