« From Zoo. To Bot. » : putréfaction de l’animal humain et transcendance écologique dans Being Dead de Jim Crace.

This paper focuses on the novel Being Dead (1999) by British contemporary novelist Jim Crace. Examining more specifically the staging of the slow decomposition of its main characters’ corpses, it shows that death is described as a durative process that highlights the animality and corporality of the...

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Main Author: Marie Cazaban-Mazerolles
Format: Article
Language:English
Published: Université Toulouse - Jean Jaurès 2023-01-01
Series:Miranda: Revue Pluridisciplinaire du Monde Anglophone
Subjects:
Online Access:http://journals.openedition.org/miranda/51851
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author Marie Cazaban-Mazerolles
author_facet Marie Cazaban-Mazerolles
author_sort Marie Cazaban-Mazerolles
collection DOAJ
description This paper focuses on the novel Being Dead (1999) by British contemporary novelist Jim Crace. Examining more specifically the staging of the slow decomposition of its main characters’ corpses, it shows that death is described as a durative process that highlights the animality and corporality of the human subject. It then contends that the two protagonists’ embodiment and embeddedness appear as the condition of a paradoxical materialist and ecological transcendence. The novel is hence interpreted as an attempt to deliver a non-idealistic afterlife narrative that reverses the axiology according to which reduction to matter is akin to metaphysical humiliation. The paper finally argues that in doing so, Being Dead reads as a contemporary bio-ecological narrative of comfort that renews the ancient genre of consolatio.
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spelling doaj.art-440da5e742e046bdbda7ef37117bc5a32023-06-07T12:21:15ZengUniversité Toulouse - Jean JaurèsMiranda: Revue Pluridisciplinaire du Monde Anglophone2108-65592023-01-012710.4000/miranda.51851« From Zoo. To Bot. » : putréfaction de l’animal humain et transcendance écologique dans Being Dead de Jim Crace.Marie Cazaban-MazerollesThis paper focuses on the novel Being Dead (1999) by British contemporary novelist Jim Crace. Examining more specifically the staging of the slow decomposition of its main characters’ corpses, it shows that death is described as a durative process that highlights the animality and corporality of the human subject. It then contends that the two protagonists’ embodiment and embeddedness appear as the condition of a paradoxical materialist and ecological transcendence. The novel is hence interpreted as an attempt to deliver a non-idealistic afterlife narrative that reverses the axiology according to which reduction to matter is akin to metaphysical humiliation. The paper finally argues that in doing so, Being Dead reads as a contemporary bio-ecological narrative of comfort that renews the ancient genre of consolatio.http://journals.openedition.org/miranda/51851Jim Cracecorpsedeathtranscendanceecologyconsolatio
spellingShingle Marie Cazaban-Mazerolles
« From Zoo. To Bot. » : putréfaction de l’animal humain et transcendance écologique dans Being Dead de Jim Crace.
Miranda: Revue Pluridisciplinaire du Monde Anglophone
Jim Crace
corpse
death
transcendance
ecology
consolatio
title « From Zoo. To Bot. » : putréfaction de l’animal humain et transcendance écologique dans Being Dead de Jim Crace.
title_full « From Zoo. To Bot. » : putréfaction de l’animal humain et transcendance écologique dans Being Dead de Jim Crace.
title_fullStr « From Zoo. To Bot. » : putréfaction de l’animal humain et transcendance écologique dans Being Dead de Jim Crace.
title_full_unstemmed « From Zoo. To Bot. » : putréfaction de l’animal humain et transcendance écologique dans Being Dead de Jim Crace.
title_short « From Zoo. To Bot. » : putréfaction de l’animal humain et transcendance écologique dans Being Dead de Jim Crace.
title_sort from zoo to bot putrefaction de l animal humain et transcendance ecologique dans being dead de jim crace
topic Jim Crace
corpse
death
transcendance
ecology
consolatio
url http://journals.openedition.org/miranda/51851
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