Archipelagic Pursuits: A Coming Together of Art Making and Sea Kayaking
This paper considers the archipelago as a model of exchange and commerce to explore the meeting place between art and what Denis Cosgrove has described as the “geographical imagination.” It does so by considering two artistic projects in which the domains of art making overlap the author’s interest...
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Format: | Article |
Language: | English |
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Island Studies Journal
2013-05-01
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Series: | Island Studies Journal |
Online Access: | https://doi.org/10.24043/isj.279 |
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author | Donald S. Lawrence |
author_facet | Donald S. Lawrence |
author_sort | Donald S. Lawrence |
collection | DOAJ |
description | This paper considers the archipelago as a model of exchange and commerce to explore the meeting place between art and what Denis Cosgrove has described as the “geographical imagination.” It does so by considering two artistic projects in which the domains of art making overlap the author’s interest in sea kayaking—the two together constituting a vernacular, personally inscribed practice. These projects, at the Art Gallery of Greater Victoria (2006) and as part of Tasmania’s biennial Ten Days on the Island (2011), are contextualized by the work of theorists coming from geography and visual arts. The paper extends Katherine Harmon’s observation about the way that maps, “like artworks”, may highlight “differences between collective and individual experience.” Like the form of hand-drawn maps, another seemingly obsolete technology, the camera obscura, is presented as a means of invoking a heightened, experiential engagement with the (island) landscape. |
first_indexed | 2024-03-13T04:16:29Z |
format | Article |
id | doaj.art-44141c6ab025466f9593cfbf0f2145bf |
institution | Directory Open Access Journal |
issn | 1715-2593 |
language | English |
last_indexed | 2024-03-13T04:16:29Z |
publishDate | 2013-05-01 |
publisher | Island Studies Journal |
record_format | Article |
series | Island Studies Journal |
spelling | doaj.art-44141c6ab025466f9593cfbf0f2145bf2023-06-21T01:21:49ZengIsland Studies JournalIsland Studies Journal1715-25932013-05-0181Archipelagic Pursuits: A Coming Together of Art Making and Sea KayakingDonald S. LawrenceThis paper considers the archipelago as a model of exchange and commerce to explore the meeting place between art and what Denis Cosgrove has described as the “geographical imagination.” It does so by considering two artistic projects in which the domains of art making overlap the author’s interest in sea kayaking—the two together constituting a vernacular, personally inscribed practice. These projects, at the Art Gallery of Greater Victoria (2006) and as part of Tasmania’s biennial Ten Days on the Island (2011), are contextualized by the work of theorists coming from geography and visual arts. The paper extends Katherine Harmon’s observation about the way that maps, “like artworks”, may highlight “differences between collective and individual experience.” Like the form of hand-drawn maps, another seemingly obsolete technology, the camera obscura, is presented as a means of invoking a heightened, experiential engagement with the (island) landscape.https://doi.org/10.24043/isj.279 |
spellingShingle | Donald S. Lawrence Archipelagic Pursuits: A Coming Together of Art Making and Sea Kayaking Island Studies Journal |
title | Archipelagic Pursuits: A Coming Together of Art Making and Sea Kayaking |
title_full | Archipelagic Pursuits: A Coming Together of Art Making and Sea Kayaking |
title_fullStr | Archipelagic Pursuits: A Coming Together of Art Making and Sea Kayaking |
title_full_unstemmed | Archipelagic Pursuits: A Coming Together of Art Making and Sea Kayaking |
title_short | Archipelagic Pursuits: A Coming Together of Art Making and Sea Kayaking |
title_sort | archipelagic pursuits a coming together of art making and sea kayaking |
url | https://doi.org/10.24043/isj.279 |
work_keys_str_mv | AT donaldslawrence archipelagicpursuitsacomingtogetherofartmakingandseakayaking |