Musical Affordances and the Gestalt Legacy: enriching music perception
In the current cognitive theory of music, concepts of Gestalt psychology are referred to in various ways. For example, neurocognitive models of music perception address the formation of auditory Gestalts as a stage in the formation of meaning. However, this view runs counter to central premises of G...
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| Format: | Article |
| Language: | deu |
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Sciendo
2023-08-01
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| Series: | Gestalt Theory |
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| Online Access: | https://doi.org/10.2478/gth-2023-0014 |
| _version_ | 1797387245427097600 |
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| author | Klotz Sebastian |
| author_facet | Klotz Sebastian |
| author_sort | Klotz Sebastian |
| collection | DOAJ |
| description | In the current cognitive theory of music, concepts of Gestalt psychology are referred to in various ways. For example, neurocognitive models of music perception address the formation of auditory Gestalts as a stage in the formation of meaning. However, this view runs counter to central premises of Gestalt psychology of Carl Stumpf’s school, which precisely did not describe Gestalts as synthesized phenomena. Nevertheless, it is argued here, borrowing from Gestalt concepts can promote current non-reductionist positions. They conceptualize musical perception not in the ways of information theory, but of phenomenology and action theory. Here the theory of affordance developed by J.J. Gibson in close collaboration with his wife Eleanor J. Gibson stands out. It was explicitly introduced into musicological research by Eric Clarke, but without reference to its Gestalt psychological roots. The article explores theories of musical affordance with the help of further methodological tools, which can be assigned to the philosophical schools of direct realism and constructivism. They open up the possibility of a non-cognitivist and non-representational perspective on musical perception. It turns out that Gestalt psychological concepts also have a catalytic effect on the expansion of our understanding of musical perception in this constellation, although this connection has hardly been visible so far. |
| first_indexed | 2024-03-08T22:21:04Z |
| format | Article |
| id | doaj.art-442bcda10dfe41e1b388818fa6ce99fe |
| institution | Directory Open Access Journal |
| issn | 2519-5808 |
| language | deu |
| last_indexed | 2024-03-08T22:21:04Z |
| publishDate | 2023-08-01 |
| publisher | Sciendo |
| record_format | Article |
| series | Gestalt Theory |
| spelling | doaj.art-442bcda10dfe41e1b388818fa6ce99fe2023-12-18T12:44:55ZdeuSciendoGestalt Theory2519-58082023-08-01451-2658410.2478/gth-2023-0014Musical Affordances and the Gestalt Legacy: enriching music perceptionKlotz Sebastian01Institut für Musikwissenschaft und Medienwissenschaft, Humboldt-Universität zu Berlin, 10099Berlin, Germany.In the current cognitive theory of music, concepts of Gestalt psychology are referred to in various ways. For example, neurocognitive models of music perception address the formation of auditory Gestalts as a stage in the formation of meaning. However, this view runs counter to central premises of Gestalt psychology of Carl Stumpf’s school, which precisely did not describe Gestalts as synthesized phenomena. Nevertheless, it is argued here, borrowing from Gestalt concepts can promote current non-reductionist positions. They conceptualize musical perception not in the ways of information theory, but of phenomenology and action theory. Here the theory of affordance developed by J.J. Gibson in close collaboration with his wife Eleanor J. Gibson stands out. It was explicitly introduced into musicological research by Eric Clarke, but without reference to its Gestalt psychological roots. The article explores theories of musical affordance with the help of further methodological tools, which can be assigned to the philosophical schools of direct realism and constructivism. They open up the possibility of a non-cognitivist and non-representational perspective on musical perception. It turns out that Gestalt psychological concepts also have a catalytic effect on the expansion of our understanding of musical perception in this constellation, although this connection has hardly been visible so far.https://doi.org/10.2478/gth-2023-0014affordanceecology of perceptionperceptual mediationembodied cognitionrealismenactivism |
| spellingShingle | Klotz Sebastian Musical Affordances and the Gestalt Legacy: enriching music perception Gestalt Theory affordance ecology of perception perceptual mediation embodied cognition realism enactivism |
| title | Musical Affordances and the Gestalt Legacy: enriching music perception |
| title_full | Musical Affordances and the Gestalt Legacy: enriching music perception |
| title_fullStr | Musical Affordances and the Gestalt Legacy: enriching music perception |
| title_full_unstemmed | Musical Affordances and the Gestalt Legacy: enriching music perception |
| title_short | Musical Affordances and the Gestalt Legacy: enriching music perception |
| title_sort | musical affordances and the gestalt legacy enriching music perception |
| topic | affordance ecology of perception perceptual mediation embodied cognition realism enactivism |
| url | https://doi.org/10.2478/gth-2023-0014 |
| work_keys_str_mv | AT klotzsebastian musicalaffordancesandthegestaltlegacyenrichingmusicperception |