Narrativa e poder: ficções pós-utópicas de Sérgio Sant'Anna

The manifest conviction in modern romance that the narrator’s intent to represent reality would be ideological from the start, even before any ideological content, points to a crisis in the narration act itself, placed thereafter under suspicion, as to tell a story would mean to impart an order to t...

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Bibliographic Details
Main Author: Vera Lúcia Follain de Figueiredo
Format: Article
Language:Portuguese
Published: Pontifícia Universidade Católica de São Paulo 2012-12-01
Series:FronteiraZ
Subjects:
Online Access:https://revistas.pucsp.br/fronteiraz/article/view/13002
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author Vera Lúcia Follain de Figueiredo
author_facet Vera Lúcia Follain de Figueiredo
author_sort Vera Lúcia Follain de Figueiredo
collection DOAJ
description The manifest conviction in modern romance that the narrator’s intent to represent reality would be ideological from the start, even before any ideological content, points to a crisis in the narration act itself, placed thereafter under suspicion, as to tell a story would mean to impart an order to the chaos of events, and, in a certain way, to provide meaning, by means of a discursive trick, to what makes no sense. In the end of the XX century, such a skepticism in respect of the epical objectiveness increased, so opening more space by the time for reports in the first person, through which narrative is characterized as an instrument of power. By this approach, the text presents a reflection on the contemporary Brazilin literature, by taking Sérgio Sant’Anna’s fictional work as a base.
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spelling doaj.art-443e341ba72240f48d15d415fdc444682022-12-21T19:53:11ZporPontifícia Universidade Católica de São PauloFronteiraZ1983-43732012-12-01093129580Narrativa e poder: ficções pós-utópicas de Sérgio Sant'AnnaVera Lúcia Follain de FigueiredoThe manifest conviction in modern romance that the narrator’s intent to represent reality would be ideological from the start, even before any ideological content, points to a crisis in the narration act itself, placed thereafter under suspicion, as to tell a story would mean to impart an order to the chaos of events, and, in a certain way, to provide meaning, by means of a discursive trick, to what makes no sense. In the end of the XX century, such a skepticism in respect of the epical objectiveness increased, so opening more space by the time for reports in the first person, through which narrative is characterized as an instrument of power. By this approach, the text presents a reflection on the contemporary Brazilin literature, by taking Sérgio Sant’Anna’s fictional work as a base.https://revistas.pucsp.br/fronteiraz/article/view/13002Narrativapoderrepresentação
spellingShingle Vera Lúcia Follain de Figueiredo
Narrativa e poder: ficções pós-utópicas de Sérgio Sant'Anna
FronteiraZ
Narrativa
poder
representação
title Narrativa e poder: ficções pós-utópicas de Sérgio Sant'Anna
title_full Narrativa e poder: ficções pós-utópicas de Sérgio Sant'Anna
title_fullStr Narrativa e poder: ficções pós-utópicas de Sérgio Sant'Anna
title_full_unstemmed Narrativa e poder: ficções pós-utópicas de Sérgio Sant'Anna
title_short Narrativa e poder: ficções pós-utópicas de Sérgio Sant'Anna
title_sort narrativa e poder ficcoes pos utopicas de sergio sant anna
topic Narrativa
poder
representação
url https://revistas.pucsp.br/fronteiraz/article/view/13002
work_keys_str_mv AT veraluciafollaindefigueiredo narrativaepoderficcoesposutopicasdesergiosantanna