Video Surveillance as an Educational Exercise and Artwork
The purpose of the article is to analyze the importance of training exercises in video surveillance for the creative abilities’ development of film and television directors; to prove the necessity and usefulness of such exercises not only for documentarians but also for feature film and animation d...
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| Format: | Article |
| Language: | English |
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KNUKiM Publishing Centre
2022-06-01
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| Series: | Вісник Київського національного університету культури і мистецтв. Серія: Аудіовізуальне мистецтво і виробництво |
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| Online Access: | http://audiovisual-art.knukim.edu.ua/article/view/256949 |
| _version_ | 1828328232479358976 |
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| author | Roman Shyrman |
| author_facet | Roman Shyrman |
| author_sort | Roman Shyrman |
| collection | DOAJ |
| description |
The purpose of the article is to analyze the importance of training exercises in video surveillance for the creative abilities’ development of film and television directors; to prove the necessity and usefulness of such exercises not only for documentarians but also for feature film and animation directors; identify specific methods of the director’s work on video surveillance. The research methodology is based on a theoretical analysis of the work of outstanding film directors, in particular films and evidence on the nature of documentary films by Hertz Frank and Frederick Wiseman and analysis of Ukrainian and foreign observation films. Scientific novelty. The role recognition of film and video surveillance as a basic element in the education and training of cinematographers; determination of characteristic features and fundamental differences of work on screen observations in comparison with work on other types of the screen works. Conclusions. The article analyzes the importance of video surveillance for the creative imagination development of students-directors. The importance of observations has been proved for the work of directors working in all types of cinematography from documentaries to feature films and animation. Examples of directorial work strategies on video surveillance are given, which are fundamentally different from the methods of creating other types of screen works.
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| first_indexed | 2024-04-13T20:06:51Z |
| format | Article |
| id | doaj.art-445a3bf59ca743879e3d583d6a139c09 |
| institution | Directory Open Access Journal |
| issn | 2617-2674 2617-4049 |
| language | English |
| last_indexed | 2024-04-13T20:06:51Z |
| publishDate | 2022-06-01 |
| publisher | KNUKiM Publishing Centre |
| record_format | Article |
| series | Вісник Київського національного університету культури і мистецтв. Серія: Аудіовізуальне мистецтво і виробництво |
| spelling | doaj.art-445a3bf59ca743879e3d583d6a139c092022-12-22T02:31:58ZengKNUKiM Publishing CentreВісник Київського національного університету культури і мистецтв. Серія: Аудіовізуальне мистецтво і виробництво2617-26742617-40492022-06-015110.31866/2617-2674.5.1.2022.256949Video Surveillance as an Educational Exercise and ArtworkRoman Shyrman0Kyiv National University of Culture and Arts, National Academy of Arts of Ukraine The purpose of the article is to analyze the importance of training exercises in video surveillance for the creative abilities’ development of film and television directors; to prove the necessity and usefulness of such exercises not only for documentarians but also for feature film and animation directors; identify specific methods of the director’s work on video surveillance. The research methodology is based on a theoretical analysis of the work of outstanding film directors, in particular films and evidence on the nature of documentary films by Hertz Frank and Frederick Wiseman and analysis of Ukrainian and foreign observation films. Scientific novelty. The role recognition of film and video surveillance as a basic element in the education and training of cinematographers; determination of characteristic features and fundamental differences of work on screen observations in comparison with work on other types of the screen works. Conclusions. The article analyzes the importance of video surveillance for the creative imagination development of students-directors. The importance of observations has been proved for the work of directors working in all types of cinematography from documentaries to feature films and animation. Examples of directorial work strategies on video surveillance are given, which are fundamentally different from the methods of creating other types of screen works. http://audiovisual-art.knukim.edu.ua/article/view/256949documentary filmvideo surveillancehidden camerascriptcreative imaginationvideo surveillance technology |
| spellingShingle | Roman Shyrman Video Surveillance as an Educational Exercise and Artwork Вісник Київського національного університету культури і мистецтв. Серія: Аудіовізуальне мистецтво і виробництво documentary film video surveillance hidden camera script creative imagination video surveillance technology |
| title | Video Surveillance as an Educational Exercise and Artwork |
| title_full | Video Surveillance as an Educational Exercise and Artwork |
| title_fullStr | Video Surveillance as an Educational Exercise and Artwork |
| title_full_unstemmed | Video Surveillance as an Educational Exercise and Artwork |
| title_short | Video Surveillance as an Educational Exercise and Artwork |
| title_sort | video surveillance as an educational exercise and artwork |
| topic | documentary film video surveillance hidden camera script creative imagination video surveillance technology |
| url | http://audiovisual-art.knukim.edu.ua/article/view/256949 |
| work_keys_str_mv | AT romanshyrman videosurveillanceasaneducationalexerciseandartwork |