Reading the Tragic Events of Beyhagi's History Based on the Characteristics of the Aristotelian and Brecht Theater
The classic Persian literature enjoys plenty of story enrichment. In some authors’ works, these prose and poetry texts provide beyond the pure storytelling, somehow dramatic tale. However, with regard to lack of play in early centuries of Persian poems in Iran, the works do not hare play from appear...
| Main Authors: | , |
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| Format: | Article |
| Language: | fas |
| Published: |
Allameh Tabataba'i University Press
2019-09-01
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| Series: | Matn/Pizhūhī-i Adabī |
| Subjects: | |
| Online Access: | https://ltr.atu.ac.ir/article_9532_bfd7cd08ff8d237de0be3399395722ed.pdf |
| Summary: | The classic Persian literature enjoys plenty of story enrichment. In some authors’ works, these prose and poetry texts provide beyond the pure storytelling, somehow dramatic tale. However, with regard to lack of play in early centuries of Persian poems in Iran, the works do not hare play from appearance and are written only for reading. After the arrival of play from the West to Iran in the late century, play writers referred less to old literature treasure. While the reading of these works from the perspective of the play demonstrates their capacity for theatrical adaptations. Among the works of poets, Shahnameh Ferdousi and Nezami Middle poetry, and among prose books, Beyhaghi’s History are the best samples for evaluating the mentioned dramatic works. We attempt in this paper that after describing dramatic theater elements (Aristotle) and epic theater, pay to adjust their measurements with Beyhaghi’s dramatic stories and offer play (dramatic) capacity for the works. |
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| ISSN: | 2251-7138 2476-6186 |