SOCIAL TECHNOLOGIES AS A BASIS OF DESIGNER'S CREATIVITY

The article investigates the fundamental reason for historic changes in the subject world of man. The author refers us to the principle notions of thing and subject formulated in works by M. Haidegger and P. Rilke. Speaking about the historic development of the subject world the author underlines th...

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Main Author: Evgeniya I. Kuznetsova
Format: Article
Language:Russian
Published: Plekhanov Russian University of Economics 2017-09-01
Series:Вестник Российского экономического университета имени Г. В. Плеханова
Subjects:
Online Access:https://vest.rea.ru/jour/article/view/186
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author Evgeniya I. Kuznetsova
author_facet Evgeniya I. Kuznetsova
author_sort Evgeniya I. Kuznetsova
collection DOAJ
description The article investigates the fundamental reason for historic changes in the subject world of man. The author refers us to the principle notions of thing and subject formulated in works by M. Haidegger and P. Rilke. Speaking about the historic development of the subject world the author underlines that revolutions not only change ideology of society but transform reality. Today changes in social structure can be so fast that social technologies themselves can acquire the character of design projection. Revolution technologies work according to the principle of projecting, compiling and circulating. So we can speak about the design of revolutions. The main idea about interrelation of changes in social environment and in design is supported by examples of the history of costume as the most dynamically developing phenomenon.
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spelling doaj.art-44b11899edb346c1a0e5e7e2a993fc872023-09-03T10:33:57ZrusPlekhanov Russian University of EconomicsВестник Российского экономического университета имени Г. В. Плеханова2413-28292587-92512017-09-010410011210.21686/2413-2829-2016-4-100-112185SOCIAL TECHNOLOGIES AS A BASIS OF DESIGNER'S CREATIVITYEvgeniya I. Kuznetsova0РЭУ им. Г. В. ПлехановаThe article investigates the fundamental reason for historic changes in the subject world of man. The author refers us to the principle notions of thing and subject formulated in works by M. Haidegger and P. Rilke. Speaking about the historic development of the subject world the author underlines that revolutions not only change ideology of society but transform reality. Today changes in social structure can be so fast that social technologies themselves can acquire the character of design projection. Revolution technologies work according to the principle of projecting, compiling and circulating. So we can speak about the design of revolutions. The main idea about interrelation of changes in social environment and in design is supported by examples of the history of costume as the most dynamically developing phenomenon.https://vest.rea.ru/jour/article/view/186дизайнсоциумтехнологиипредметдизайн костюма
spellingShingle Evgeniya I. Kuznetsova
SOCIAL TECHNOLOGIES AS A BASIS OF DESIGNER'S CREATIVITY
Вестник Российского экономического университета имени Г. В. Плеханова
дизайн
социум
технологии
предмет
дизайн костюма
title SOCIAL TECHNOLOGIES AS A BASIS OF DESIGNER'S CREATIVITY
title_full SOCIAL TECHNOLOGIES AS A BASIS OF DESIGNER'S CREATIVITY
title_fullStr SOCIAL TECHNOLOGIES AS A BASIS OF DESIGNER'S CREATIVITY
title_full_unstemmed SOCIAL TECHNOLOGIES AS A BASIS OF DESIGNER'S CREATIVITY
title_short SOCIAL TECHNOLOGIES AS A BASIS OF DESIGNER'S CREATIVITY
title_sort social technologies as a basis of designer s creativity
topic дизайн
социум
технологии
предмет
дизайн костюма
url https://vest.rea.ru/jour/article/view/186
work_keys_str_mv AT evgeniyaikuznetsova socialtechnologiesasabasisofdesignerscreativity