MIKIO NARUSE: ON MODERNITY AND WOMEN

The aim of the paper is to present the films by Mikio Naruse, a distinguished Japanese film director, within the frames of the genre conventions, as well as to place his films in the context of moral and economic changes taking place in Japan in the middle of the last century (with a particular emph...

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Main Author: Krzysztof Loska
Format: Article
Language:deu
Published: Nicolaus Copernicus University in Toruń 2014-12-01
Series:Litteraria Copernicana
Subjects:
Online Access:https://apcz.umk.pl/czasopisma/index.php/LC/article/view/5200
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author Krzysztof Loska
author_facet Krzysztof Loska
author_sort Krzysztof Loska
collection DOAJ
description The aim of the paper is to present the films by Mikio Naruse, a distinguished Japanese film director, within the frames of the genre conventions, as well as to place his films in the context of moral and economic changes taking place in Japan in the middle of the last century (with a particular emphasis on the ideological determinants of the process of modernization, and the place of women in modern society). In my opinion, most of his works follow the conventions of melodrama, as it is these conventions that allow the female viewer to assume the position of the subject; at the same time, the conventions present a critical view of the country during the time when patriarchal structures and the traditional family model disintegrated. My research perspective, therefore, is to regard the films primarily as cultural texts.
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spelling doaj.art-44cfbb8e5617407aa2e00f1896e4d1922022-12-21T23:33:59ZdeuNicolaus Copernicus University in ToruńLitteraria Copernicana1899-315X2392-16172014-12-0102(14)/18019710.12775/LC.2014.0314741MIKIO NARUSE: ON MODERNITY AND WOMENKrzysztof Loska0Instytut Sztuk Audiowizualnych w Uniwersytecie JagiellońskimThe aim of the paper is to present the films by Mikio Naruse, a distinguished Japanese film director, within the frames of the genre conventions, as well as to place his films in the context of moral and economic changes taking place in Japan in the middle of the last century (with a particular emphasis on the ideological determinants of the process of modernization, and the place of women in modern society). In my opinion, most of his works follow the conventions of melodrama, as it is these conventions that allow the female viewer to assume the position of the subject; at the same time, the conventions present a critical view of the country during the time when patriarchal structures and the traditional family model disintegrated. My research perspective, therefore, is to regard the films primarily as cultural texts.https://apcz.umk.pl/czasopisma/index.php/LC/article/view/5200mikio narusewoman in modern societymelodrama
spellingShingle Krzysztof Loska
MIKIO NARUSE: ON MODERNITY AND WOMEN
Litteraria Copernicana
mikio naruse
woman in modern society
melodrama
title MIKIO NARUSE: ON MODERNITY AND WOMEN
title_full MIKIO NARUSE: ON MODERNITY AND WOMEN
title_fullStr MIKIO NARUSE: ON MODERNITY AND WOMEN
title_full_unstemmed MIKIO NARUSE: ON MODERNITY AND WOMEN
title_short MIKIO NARUSE: ON MODERNITY AND WOMEN
title_sort mikio naruse on modernity and women
topic mikio naruse
woman in modern society
melodrama
url https://apcz.umk.pl/czasopisma/index.php/LC/article/view/5200
work_keys_str_mv AT krzysztofloska mikionaruseonmodernityandwomen