MIKIO NARUSE: ON MODERNITY AND WOMEN
The aim of the paper is to present the films by Mikio Naruse, a distinguished Japanese film director, within the frames of the genre conventions, as well as to place his films in the context of moral and economic changes taking place in Japan in the middle of the last century (with a particular emph...
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Format: | Article |
Language: | deu |
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Nicolaus Copernicus University in Toruń
2014-12-01
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Series: | Litteraria Copernicana |
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Online Access: | https://apcz.umk.pl/czasopisma/index.php/LC/article/view/5200 |
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author | Krzysztof Loska |
author_facet | Krzysztof Loska |
author_sort | Krzysztof Loska |
collection | DOAJ |
description | The aim of the paper is to present the films by Mikio Naruse, a distinguished Japanese film director, within the frames of the genre conventions, as well as to place his films in the context of moral and economic changes taking place in Japan in the middle of the last century (with a particular emphasis on the ideological determinants of the process of modernization, and the place of women in modern society). In my opinion, most of his works follow the conventions of melodrama, as it is these conventions that allow the female viewer to assume the position of the subject; at the same time, the conventions present a critical view of the country during the time when patriarchal structures and the traditional family model disintegrated. My research perspective, therefore, is to regard the films primarily as cultural texts. |
first_indexed | 2024-12-13T19:28:21Z |
format | Article |
id | doaj.art-44cfbb8e5617407aa2e00f1896e4d192 |
institution | Directory Open Access Journal |
issn | 1899-315X 2392-1617 |
language | deu |
last_indexed | 2024-12-13T19:28:21Z |
publishDate | 2014-12-01 |
publisher | Nicolaus Copernicus University in Toruń |
record_format | Article |
series | Litteraria Copernicana |
spelling | doaj.art-44cfbb8e5617407aa2e00f1896e4d1922022-12-21T23:33:59ZdeuNicolaus Copernicus University in ToruńLitteraria Copernicana1899-315X2392-16172014-12-0102(14)/18019710.12775/LC.2014.0314741MIKIO NARUSE: ON MODERNITY AND WOMENKrzysztof Loska0Instytut Sztuk Audiowizualnych w Uniwersytecie JagiellońskimThe aim of the paper is to present the films by Mikio Naruse, a distinguished Japanese film director, within the frames of the genre conventions, as well as to place his films in the context of moral and economic changes taking place in Japan in the middle of the last century (with a particular emphasis on the ideological determinants of the process of modernization, and the place of women in modern society). In my opinion, most of his works follow the conventions of melodrama, as it is these conventions that allow the female viewer to assume the position of the subject; at the same time, the conventions present a critical view of the country during the time when patriarchal structures and the traditional family model disintegrated. My research perspective, therefore, is to regard the films primarily as cultural texts.https://apcz.umk.pl/czasopisma/index.php/LC/article/view/5200mikio narusewoman in modern societymelodrama |
spellingShingle | Krzysztof Loska MIKIO NARUSE: ON MODERNITY AND WOMEN Litteraria Copernicana mikio naruse woman in modern society melodrama |
title | MIKIO NARUSE: ON MODERNITY AND WOMEN |
title_full | MIKIO NARUSE: ON MODERNITY AND WOMEN |
title_fullStr | MIKIO NARUSE: ON MODERNITY AND WOMEN |
title_full_unstemmed | MIKIO NARUSE: ON MODERNITY AND WOMEN |
title_short | MIKIO NARUSE: ON MODERNITY AND WOMEN |
title_sort | mikio naruse on modernity and women |
topic | mikio naruse woman in modern society melodrama |
url | https://apcz.umk.pl/czasopisma/index.php/LC/article/view/5200 |
work_keys_str_mv | AT krzysztofloska mikionaruseonmodernityandwomen |