Looming Over the Nation, Uneasy with the Folks: Locating Mike de Leon in Philippine Cinema

The article draws on filmic, popular, and scholarly references in order to trace how Mike de Leon and his films have been regarded, since his landmark entrance into Philippine cinema as director, up to the present. Specifically, it locates De Leon within the subtly shifting discourse of nationalist...

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Bibliographic Details
Main Author: Patrick F. Campos
Format: Article
Language:English
Published: University of the Philippines 2006-12-01
Series:Humanities Diliman
Subjects:
Online Access:http://journals.upd.edu.ph/index.php/humanitiesdiliman/article/view/627
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author Patrick F. Campos
author_facet Patrick F. Campos
author_sort Patrick F. Campos
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description The article draws on filmic, popular, and scholarly references in order to trace how Mike de Leon and his films have been regarded, since his landmark entrance into Philippine cinema as director, up to the present. Specifically, it locates De Leon within the subtly shifting discourse of nationalist film scholarship and historicizing, and discusses how he and his films are written about, identified, associated or networked with other filmmakers and films, or utilized in discourses about the Philippines, Philippine cinema, or Philippine culture.The article locates De Leon as (1) an insider of Philippine cinema history, (2) an outsider of the commercial film industry, and (3) a hero of the mythic Golden Age of the National Cinema. It also maps out his filmography within the nationalist agenda; appraises what filmmakers, commentators, and scholars have articulated about his films; and analyzes the thematic and stylistic trajectories of his later works. Finally, it discusses how De Leon is being written into today’s discourse of Philippine cinema.
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spelling doaj.art-44e81621fa764065a93c0ab212c7137a2022-12-21T20:35:39ZengUniversity of the PhilippinesHumanities Diliman1655-15322006-12-01323573Looming Over the Nation, Uneasy with the Folks: Locating Mike de Leon in Philippine CinemaPatrick F. CamposThe article draws on filmic, popular, and scholarly references in order to trace how Mike de Leon and his films have been regarded, since his landmark entrance into Philippine cinema as director, up to the present. Specifically, it locates De Leon within the subtly shifting discourse of nationalist film scholarship and historicizing, and discusses how he and his films are written about, identified, associated or networked with other filmmakers and films, or utilized in discourses about the Philippines, Philippine cinema, or Philippine culture.The article locates De Leon as (1) an insider of Philippine cinema history, (2) an outsider of the commercial film industry, and (3) a hero of the mythic Golden Age of the National Cinema. It also maps out his filmography within the nationalist agenda; appraises what filmmakers, commentators, and scholars have articulated about his films; and analyzes the thematic and stylistic trajectories of his later works. Finally, it discusses how De Leon is being written into today’s discourse of Philippine cinema.http://journals.upd.edu.ph/index.php/humanitiesdiliman/article/view/627Mike de Leonfilm criticismfilm historynationalisminstitutional dynamics/ myths
spellingShingle Patrick F. Campos
Looming Over the Nation, Uneasy with the Folks: Locating Mike de Leon in Philippine Cinema
Humanities Diliman
Mike de Leon
film criticism
film history
nationalism
institutional dynamics/ myths
title Looming Over the Nation, Uneasy with the Folks: Locating Mike de Leon in Philippine Cinema
title_full Looming Over the Nation, Uneasy with the Folks: Locating Mike de Leon in Philippine Cinema
title_fullStr Looming Over the Nation, Uneasy with the Folks: Locating Mike de Leon in Philippine Cinema
title_full_unstemmed Looming Over the Nation, Uneasy with the Folks: Locating Mike de Leon in Philippine Cinema
title_short Looming Over the Nation, Uneasy with the Folks: Locating Mike de Leon in Philippine Cinema
title_sort looming over the nation uneasy with the folks locating mike de leon in philippine cinema
topic Mike de Leon
film criticism
film history
nationalism
institutional dynamics/ myths
url http://journals.upd.edu.ph/index.php/humanitiesdiliman/article/view/627
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