Black Face White stage: a subaltern discourse on race in the American theater
The American theater is a place of possibilities. As such, it utilizes performative discourses to develop and propagate values, beliefs, identities, and ways of being. While the historical significance of the American theater leaves little room for debate, its continued dependency on Eurocentric val...
Main Authors: | Danté D. Bryant, Tayon Swafford |
---|---|
Format: | Article |
Language: | English |
Published: |
Taylor & Francis Group
2024-12-01
|
Series: | Cogent Arts & Humanities |
Subjects: | |
Online Access: | https://www.tandfonline.com/doi/10.1080/23311983.2024.2404739 |
Similar Items
-
The Gendered Sounds of Revolutionary American Theater
by: Leopold Lippert
Published: (2020-06-01) -
Gender and Race Trouble: The Emperor Jones by The Wooster Group
by: Emeline Jouve
Published: (2015-11-01) -
#APIsforBlackLives: Unpacking the interracial discourse on the Asian American Pacific Islander and Black communities
by: Nellie Tran, et al.
Published: (2018-10-01) -
Race/Ethnicity, Socioeconomic Status, and Polypharmacy among Older Americans
by: Shervin Assari, et al.
Published: (2019-04-01) -
"What Race Do You Consider Yourself?": Factors Influencing Use of Color in Racial Self-Classification
by: Shannon N. Davis, et al.
Published: (2012-06-01)