ANTON PANN’S "HEIRMOLOGHION". ARGUMENTS FOR IDENTIFYING THE SOURCE

The mission of our work is to identify the source that Anton Pann used in order to compose the Irmologhiu sau Catavasier [Heirmologhion] (1846). Our challenge will be to carry on a comparative musical analysis between Heirmos I of the Canon at the Feast of Pentecost and similar fragments (Petros Vy...

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Main Author: Daniel MOCANU
Format: Article
Language:English
Published: Babeș-Bolyai University 2016-06-01
Series:Studia Universitatis Babeş-Bolyai. Musica
Subjects:
Online Access:http://193.231.18.162/index.php/subbmusica/article/view/5131
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author Daniel MOCANU
author_facet Daniel MOCANU
author_sort Daniel MOCANU
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description The mission of our work is to identify the source that Anton Pann used in order to compose the Irmologhiu sau Catavasier [Heirmologhion] (1846). Our challenge will be to carry on a comparative musical analysis between Heirmos I of the Canon at the Feast of Pentecost and similar fragments (Petros Vyzantios, Hourmouzios Hartofylax Edition, 1825, and Ioannis Vyzantios Protopsaltis, 1839). Previously, we will outline the place the Heirmologhion occupies in the Romanian composer's creation. The comparative analysis of the three musical versions leads us to the conclusion that the source of Anton Pann’s Irmologhion, not mentioned in the preface of the work, is Petros Vyzantios’ syntomon Irmologhion, the Edition that was edited and transcribed by Hourmouzios Hartofylax in 1825, as proven by multiple similarities at the level of configurative modal line, of melodic-cadential formulas and of transient inflexions from other tones.
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spelling doaj.art-4541ddafc7fc479595c3327ee650a30c2024-01-05T09:42:00ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282016-06-01611ANTON PANN’S "HEIRMOLOGHION". ARGUMENTS FOR IDENTIFYING THE SOURCEDaniel MOCANU0Faculty of Orthodox Theology, Cluj-Napoca, danmocanu2006@yahoo.com The mission of our work is to identify the source that Anton Pann used in order to compose the Irmologhiu sau Catavasier [Heirmologhion] (1846). Our challenge will be to carry on a comparative musical analysis between Heirmos I of the Canon at the Feast of Pentecost and similar fragments (Petros Vyzantios, Hourmouzios Hartofylax Edition, 1825, and Ioannis Vyzantios Protopsaltis, 1839). Previously, we will outline the place the Heirmologhion occupies in the Romanian composer's creation. The comparative analysis of the three musical versions leads us to the conclusion that the source of Anton Pann’s Irmologhion, not mentioned in the preface of the work, is Petros Vyzantios’ syntomon Irmologhion, the Edition that was edited and transcribed by Hourmouzios Hartofylax in 1825, as proven by multiple similarities at the level of configurative modal line, of melodic-cadential formulas and of transient inflexions from other tones. http://193.231.18.162/index.php/subbmusica/article/view/5131Anton Pann, Heirmos, Heirmologhion, Pentecost, musical analysis, RomanizatIon
spellingShingle Daniel MOCANU
ANTON PANN’S "HEIRMOLOGHION". ARGUMENTS FOR IDENTIFYING THE SOURCE
Studia Universitatis Babeş-Bolyai. Musica
Anton Pann, Heirmos, Heirmologhion, Pentecost, musical analysis, RomanizatIon
title ANTON PANN’S "HEIRMOLOGHION". ARGUMENTS FOR IDENTIFYING THE SOURCE
title_full ANTON PANN’S "HEIRMOLOGHION". ARGUMENTS FOR IDENTIFYING THE SOURCE
title_fullStr ANTON PANN’S "HEIRMOLOGHION". ARGUMENTS FOR IDENTIFYING THE SOURCE
title_full_unstemmed ANTON PANN’S "HEIRMOLOGHION". ARGUMENTS FOR IDENTIFYING THE SOURCE
title_short ANTON PANN’S "HEIRMOLOGHION". ARGUMENTS FOR IDENTIFYING THE SOURCE
title_sort anton pann s heirmologhion arguments for identifying the source
topic Anton Pann, Heirmos, Heirmologhion, Pentecost, musical analysis, RomanizatIon
url http://193.231.18.162/index.php/subbmusica/article/view/5131
work_keys_str_mv AT danielmocanu antonpannsheirmologhionargumentsforidentifyingthesource