Louis-Patrick Bergot, Apocalypse et littérature au Moyen Âge. Réception de l’imaginaire apocalyptique dans la littérature française des xiie et xiiie siècles

Of the many apocalypses composed during Judeo-Christian antiquity, only the Apocalypse of John and the Apocalypse of Paul (through the intermediary of the Vision of Saint Paul) have benefited from translations into Old French. Their textual reception is the subject of an exhaustive classification an...

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Main Author: Louis-Patrick Bergot
Format: Article
Language:English
Published: Société de Langues et de Littératures Médiévales d'Oc et d'Oil
Series:Perspectives Médiévales
Subjects:
Online Access:https://journals.openedition.org/peme/41263
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author Louis-Patrick Bergot
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author_sort Louis-Patrick Bergot
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description Of the many apocalypses composed during Judeo-Christian antiquity, only the Apocalypse of John and the Apocalypse of Paul (through the intermediary of the Vision of Saint Paul) have benefited from translations into Old French. Their textual reception is the subject of an exhaustive classification and a detailed study in this thesis. Because of their success, these two apocalypses left a lasting imprint on medieval mentalities, for they responded to two major concerns : the collective Judgment (Johannine Apocalypse) and the individual Judgment (Pauline Apocalypse). They gave rise to an imaginary world whose traces can be found in French medieval literature thanks to an intertextual approach. Several parts of medieval literature resort to this imaginary, whether it be visionary literature (with The Vision of Tondale and The Purgatory of Saint Patrick), allegorical literature (in The Tournament of the Antichrist and The Romance of the Rose) or didactic and religious literature (in La Somme le roi, the sermons or the stuffed epistles). The apocalyptic imaginary thus impregnates a considerable part of the literature of this time, so that one can consider it as an autonomous mental universe, rich of motives, places, creatures, and sometimes of anxieties. From text to text, this imaginary world has spread through intertextual strata that philology is able to distinguish. But this complex network of interferences should not make us forget that the reception of the apocalyptic imaginary is not only apprehended on a textual scale : it also brings into play cognitive mechanisms such as comprehension, representation or imagination.
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spelling doaj.art-4543a248a0f04731a49d834422a3b9f42024-02-14T13:01:06ZengSociété de Langues et de Littératures Médiévales d'Oc et d'OilPerspectives Médiévales2262-55344210.4000/peme.41263Louis-Patrick Bergot, Apocalypse et littérature au Moyen Âge. Réception de l’imaginaire apocalyptique dans la littérature française des xiie et xiiie sièclesLouis-Patrick BergotOf the many apocalypses composed during Judeo-Christian antiquity, only the Apocalypse of John and the Apocalypse of Paul (through the intermediary of the Vision of Saint Paul) have benefited from translations into Old French. Their textual reception is the subject of an exhaustive classification and a detailed study in this thesis. Because of their success, these two apocalypses left a lasting imprint on medieval mentalities, for they responded to two major concerns : the collective Judgment (Johannine Apocalypse) and the individual Judgment (Pauline Apocalypse). They gave rise to an imaginary world whose traces can be found in French medieval literature thanks to an intertextual approach. Several parts of medieval literature resort to this imaginary, whether it be visionary literature (with The Vision of Tondale and The Purgatory of Saint Patrick), allegorical literature (in The Tournament of the Antichrist and The Romance of the Rose) or didactic and religious literature (in La Somme le roi, the sermons or the stuffed epistles). The apocalyptic imaginary thus impregnates a considerable part of the literature of this time, so that one can consider it as an autonomous mental universe, rich of motives, places, creatures, and sometimes of anxieties. From text to text, this imaginary world has spread through intertextual strata that philology is able to distinguish. But this complex network of interferences should not make us forget that the reception of the apocalyptic imaginary is not only apprehended on a textual scale : it also brings into play cognitive mechanisms such as comprehension, representation or imagination.https://journals.openedition.org/peme/41263translationliterary genreintertextualityAntichristapocalypsehell
spellingShingle Louis-Patrick Bergot
Louis-Patrick Bergot, Apocalypse et littérature au Moyen Âge. Réception de l’imaginaire apocalyptique dans la littérature française des xiie et xiiie siècles
Perspectives Médiévales
translation
literary genre
intertextuality
Antichrist
apocalypse
hell
title Louis-Patrick Bergot, Apocalypse et littérature au Moyen Âge. Réception de l’imaginaire apocalyptique dans la littérature française des xiie et xiiie siècles
title_full Louis-Patrick Bergot, Apocalypse et littérature au Moyen Âge. Réception de l’imaginaire apocalyptique dans la littérature française des xiie et xiiie siècles
title_fullStr Louis-Patrick Bergot, Apocalypse et littérature au Moyen Âge. Réception de l’imaginaire apocalyptique dans la littérature française des xiie et xiiie siècles
title_full_unstemmed Louis-Patrick Bergot, Apocalypse et littérature au Moyen Âge. Réception de l’imaginaire apocalyptique dans la littérature française des xiie et xiiie siècles
title_short Louis-Patrick Bergot, Apocalypse et littérature au Moyen Âge. Réception de l’imaginaire apocalyptique dans la littérature française des xiie et xiiie siècles
title_sort louis patrick bergot apocalypse et litterature au moyen age reception de l imaginaire apocalyptique dans la litterature francaise des xiie et xiiie siecles
topic translation
literary genre
intertextuality
Antichrist
apocalypse
hell
url https://journals.openedition.org/peme/41263
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