Légitimation du répertoire théâtral français sur la scène portugaise
To bring the circulation of cultural assets (namely, the theatre repertoire) to the front as well as its appropriation through individual and collective mediations between France and Portugal in the nineteenth century implies bringing up the topic of legitimacy within cultural transfers. In those da...
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Format: | Article |
Language: | English |
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Association Portugaise d'Etudes Françaises
2017-01-01
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Series: | Carnets |
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Online Access: | http://journals.openedition.org/carnets/2087 |
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author | Ana Clara Santos |
author_facet | Ana Clara Santos |
author_sort | Ana Clara Santos |
collection | DOAJ |
description | To bring the circulation of cultural assets (namely, the theatre repertoire) to the front as well as its appropriation through individual and collective mediations between France and Portugal in the nineteenth century implies bringing up the topic of legitimacy within cultural transfers. In those days the translation of theatre tends to escape the so called “marginal” sphere in order to materialize the contact point between the two cultures and to define the trajectories of the national artistic creation – so as to put the reform of theatre practices and their renewal into practice. From the process of importation stem the analysis of different attitudes of the literary and cultural system also confronting the foreigner, as well as the evolution of the practice of translation within the construction of a national identity and of the very idea of recognition and legitimacy of the Other. |
first_indexed | 2024-12-21T18:14:57Z |
format | Article |
id | doaj.art-454ef9e38ee04365978a6275f38ca138 |
institution | Directory Open Access Journal |
issn | 1646-7698 |
language | English |
last_indexed | 2024-12-21T18:14:57Z |
publishDate | 2017-01-01 |
publisher | Association Portugaise d'Etudes Françaises |
record_format | Article |
series | Carnets |
spelling | doaj.art-454ef9e38ee04365978a6275f38ca1382022-12-21T18:54:42ZengAssociation Portugaise d'Etudes FrançaisesCarnets1646-76982017-01-01910.4000/carnets.2087Légitimation du répertoire théâtral français sur la scène portugaiseAna Clara SantosTo bring the circulation of cultural assets (namely, the theatre repertoire) to the front as well as its appropriation through individual and collective mediations between France and Portugal in the nineteenth century implies bringing up the topic of legitimacy within cultural transfers. In those days the translation of theatre tends to escape the so called “marginal” sphere in order to materialize the contact point between the two cultures and to define the trajectories of the national artistic creation – so as to put the reform of theatre practices and their renewal into practice. From the process of importation stem the analysis of different attitudes of the literary and cultural system also confronting the foreigner, as well as the evolution of the practice of translation within the construction of a national identity and of the very idea of recognition and legitimacy of the Other.http://journals.openedition.org/carnets/2087legitimationPortuguese theatrecultural transferforeigner |
spellingShingle | Ana Clara Santos Légitimation du répertoire théâtral français sur la scène portugaise Carnets legitimation Portuguese theatre cultural transfer foreigner |
title | Légitimation du répertoire théâtral français sur la scène portugaise |
title_full | Légitimation du répertoire théâtral français sur la scène portugaise |
title_fullStr | Légitimation du répertoire théâtral français sur la scène portugaise |
title_full_unstemmed | Légitimation du répertoire théâtral français sur la scène portugaise |
title_short | Légitimation du répertoire théâtral français sur la scène portugaise |
title_sort | legitimation du repertoire theatral francais sur la scene portugaise |
topic | legitimation Portuguese theatre cultural transfer foreigner |
url | http://journals.openedition.org/carnets/2087 |
work_keys_str_mv | AT anaclarasantos legitimationdurepertoiretheatralfrancaissurlasceneportugaise |