Légitimation du répertoire théâtral français sur la scène portugaise

To bring the circulation of cultural assets (namely, the theatre repertoire) to the front as well as its appropriation through individual and collective mediations between France and Portugal in the nineteenth century implies bringing up the topic of legitimacy within cultural transfers. In those da...

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Main Author: Ana Clara Santos
Format: Article
Language:English
Published: Association Portugaise d'Etudes Françaises 2017-01-01
Series:Carnets
Subjects:
Online Access:http://journals.openedition.org/carnets/2087
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author Ana Clara Santos
author_facet Ana Clara Santos
author_sort Ana Clara Santos
collection DOAJ
description To bring the circulation of cultural assets (namely, the theatre repertoire) to the front as well as its appropriation through individual and collective mediations between France and Portugal in the nineteenth century implies bringing up the topic of legitimacy within cultural transfers. In those days the translation of theatre tends to escape the so called “marginal” sphere in order to materialize the contact point between the two cultures and to define the trajectories of the national artistic creation – so as to put the reform of theatre practices and their renewal into practice. From the process of importation stem the analysis of different attitudes of the literary and cultural system also confronting the foreigner, as well as the evolution of the practice of translation within the construction of a national identity and of the very idea of recognition and legitimacy of the Other.
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spelling doaj.art-454ef9e38ee04365978a6275f38ca1382022-12-21T18:54:42ZengAssociation Portugaise d'Etudes FrançaisesCarnets1646-76982017-01-01910.4000/carnets.2087Légitimation du répertoire théâtral français sur la scène portugaiseAna Clara SantosTo bring the circulation of cultural assets (namely, the theatre repertoire) to the front as well as its appropriation through individual and collective mediations between France and Portugal in the nineteenth century implies bringing up the topic of legitimacy within cultural transfers. In those days the translation of theatre tends to escape the so called “marginal” sphere in order to materialize the contact point between the two cultures and to define the trajectories of the national artistic creation – so as to put the reform of theatre practices and their renewal into practice. From the process of importation stem the analysis of different attitudes of the literary and cultural system also confronting the foreigner, as well as the evolution of the practice of translation within the construction of a national identity and of the very idea of recognition and legitimacy of the Other.http://journals.openedition.org/carnets/2087legitimationPortuguese theatrecultural transferforeigner
spellingShingle Ana Clara Santos
Légitimation du répertoire théâtral français sur la scène portugaise
Carnets
legitimation
Portuguese theatre
cultural transfer
foreigner
title Légitimation du répertoire théâtral français sur la scène portugaise
title_full Légitimation du répertoire théâtral français sur la scène portugaise
title_fullStr Légitimation du répertoire théâtral français sur la scène portugaise
title_full_unstemmed Légitimation du répertoire théâtral français sur la scène portugaise
title_short Légitimation du répertoire théâtral français sur la scène portugaise
title_sort legitimation du repertoire theatral francais sur la scene portugaise
topic legitimation
Portuguese theatre
cultural transfer
foreigner
url http://journals.openedition.org/carnets/2087
work_keys_str_mv AT anaclarasantos legitimationdurepertoiretheatralfrancaissurlasceneportugaise