Splinters of the Filmic Sentence: the intermedial dramaturgy of Peter Handke
This article presents an analysis of the first phase in Peter Handke’s work. It focuses on a theoretical concept developed by Handke to highlight his filmic sentence. Upon analysis of several of his works, it appears that this aesthetic sensibility pervaded his theater, his novels, his debut as a fi...
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| Format: | Article |
| Language: | English |
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Universidade Federal do Rio Grande do Sul
2017-05-01
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| Series: | Revista Brasileira de Estudos da Presença |
| Subjects: | |
| Online Access: | http://seer.ufrgs.br/index.php/presenca/article/view/71007/41284 |
| _version_ | 1818131363325280256 |
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| author | Pablo Gonçalo Pires de Campos Martins |
| author_facet | Pablo Gonçalo Pires de Campos Martins |
| author_sort | Pablo Gonçalo Pires de Campos Martins |
| collection | DOAJ |
| description | This article presents an analysis of the first phase in Peter Handke’s work. It focuses on a theoretical concept developed by Handke to highlight his filmic sentence. Upon analysis of several of his works, it appears that this aesthetic sensibility pervaded his theater, his novels, his debut as a filmmaker and the scripts he wrote in collaboration with Wim Wenders. As an interpretative summary of his work, the paper defends the existence of a link between the practice of ekphrasis and the emergence of an intermedial dramaturgy, in which the writing gesture needs to reinvent itself between languages borders, media, new technologies and materialities. |
| first_indexed | 2024-12-11T08:19:45Z |
| format | Article |
| id | doaj.art-45897f8ab66244d08f10b4cf6cad0a47 |
| institution | Directory Open Access Journal |
| issn | 2237-2660 2237-2660 |
| language | English |
| last_indexed | 2024-12-11T08:19:45Z |
| publishDate | 2017-05-01 |
| publisher | Universidade Federal do Rio Grande do Sul |
| record_format | Article |
| series | Revista Brasileira de Estudos da Presença |
| spelling | doaj.art-45897f8ab66244d08f10b4cf6cad0a472022-12-22T01:14:41ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602237-26602017-05-0172407433Splinters of the Filmic Sentence: the intermedial dramaturgy of Peter HandkePablo Gonçalo Pires de Campos Martins0Universidade de BrasíliaThis article presents an analysis of the first phase in Peter Handke’s work. It focuses on a theoretical concept developed by Handke to highlight his filmic sentence. Upon analysis of several of his works, it appears that this aesthetic sensibility pervaded his theater, his novels, his debut as a filmmaker and the scripts he wrote in collaboration with Wim Wenders. As an interpretative summary of his work, the paper defends the existence of a link between the practice of ekphrasis and the emergence of an intermedial dramaturgy, in which the writing gesture needs to reinvent itself between languages borders, media, new technologies and materialities.http://seer.ufrgs.br/index.php/presenca/article/view/71007/41284PerformanceIntermedialityPlaywrightPeter HandkeGerman Literature |
| spellingShingle | Pablo Gonçalo Pires de Campos Martins Splinters of the Filmic Sentence: the intermedial dramaturgy of Peter Handke Revista Brasileira de Estudos da Presença Performance Intermediality Playwright Peter Handke German Literature |
| title | Splinters of the Filmic Sentence: the intermedial dramaturgy of Peter Handke |
| title_full | Splinters of the Filmic Sentence: the intermedial dramaturgy of Peter Handke |
| title_fullStr | Splinters of the Filmic Sentence: the intermedial dramaturgy of Peter Handke |
| title_full_unstemmed | Splinters of the Filmic Sentence: the intermedial dramaturgy of Peter Handke |
| title_short | Splinters of the Filmic Sentence: the intermedial dramaturgy of Peter Handke |
| title_sort | splinters of the filmic sentence the intermedial dramaturgy of peter handke |
| topic | Performance Intermediality Playwright Peter Handke German Literature |
| url | http://seer.ufrgs.br/index.php/presenca/article/view/71007/41284 |
| work_keys_str_mv | AT pablogoncalopiresdecamposmartins splintersofthefilmicsentencetheintermedialdramaturgyofpeterhandke |