3D DIGITIZATION OF MUSEUM CONTENT WITHIN THE 3DICONS PROJECT
The main purpose of the European Project "3DIcons" is to digitize masterpieces of Cultural Heritage and provide the related 3D models and metadata to Europeana, an Internet portal that acts as an interface to millions of books, paintings, films, museum objects and archival records that hav...
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Format: | Article |
Language: | English |
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Copernicus Publications
2013-07-01
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Series: | ISPRS Annals of the Photogrammetry, Remote Sensing and Spatial Information Sciences |
Online Access: | http://www.isprs-ann-photogramm-remote-sens-spatial-inf-sci.net/II-5-W1/151/2013/isprsannals-II-5-W1-151-2013.pdf |
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author | S. Gonizzi Barsanti G. Guidi |
author_facet | S. Gonizzi Barsanti G. Guidi |
author_sort | S. Gonizzi Barsanti |
collection | DOAJ |
description | The main purpose of the European Project "3DIcons" is to digitize masterpieces of Cultural Heritage and provide the related 3D
models and metadata to Europeana, an Internet portal that acts as an interface to millions of books, paintings, films, museum objects
and archival records that have been digitised throughout Europe. The purpose of this paper is to define a complete pipeline which
covers all technical and logistic aspects for creating 3D models in a Museum environment with no established digitization
laboratory, from the 3D data acquisition to the creation of models that has to be searchable on the Internet through Europeana. The
research group of Politecnico di Milano is dealing with the 3D modelling of the Archaeological Museum of Milan and most of its
valuable content. In this paper an optimized 3D modelling pipeline is shown, that takes into account all the potential problems
occurring during the survey and the related data processing. Most of the 3D digitization activity have been made exploiting the
Structure From Motion (SfM) technique, handling all the acquisition (e.g. objects enlightenment, camera-object relative positioning,
object shape and material, etc.) and processing problems (e.g. difficulties in the alignment step, model scaling, mesh optimization,
etc.), but without neglecting the metric rigor of the results. This optimized process has been applied on a significant number of items,
showing how this technique can allow large scale 3D digitization projects with relatively limited efforts. |
first_indexed | 2024-12-12T10:59:17Z |
format | Article |
id | doaj.art-45c97fbe30a84fee871b340abaadc98f |
institution | Directory Open Access Journal |
issn | 2194-9042 2194-9050 |
language | English |
last_indexed | 2024-12-12T10:59:17Z |
publishDate | 2013-07-01 |
publisher | Copernicus Publications |
record_format | Article |
series | ISPRS Annals of the Photogrammetry, Remote Sensing and Spatial Information Sciences |
spelling | doaj.art-45c97fbe30a84fee871b340abaadc98f2022-12-22T00:26:35ZengCopernicus PublicationsISPRS Annals of the Photogrammetry, Remote Sensing and Spatial Information Sciences2194-90422194-90502013-07-01II-5/W115115610.5194/isprsannals-II-5-W1-151-20133D DIGITIZATION OF MUSEUM CONTENT WITHIN THE 3DICONS PROJECTS. Gonizzi Barsanti0G. Guidi1Dept. of Mechanics, Politecnico di Milano, Via la Masa, 1, Milano, ItalyDept. of Mechanics, Politecnico di Milano, Via la Masa, 1, Milano, ItalyThe main purpose of the European Project "3DIcons" is to digitize masterpieces of Cultural Heritage and provide the related 3D models and metadata to Europeana, an Internet portal that acts as an interface to millions of books, paintings, films, museum objects and archival records that have been digitised throughout Europe. The purpose of this paper is to define a complete pipeline which covers all technical and logistic aspects for creating 3D models in a Museum environment with no established digitization laboratory, from the 3D data acquisition to the creation of models that has to be searchable on the Internet through Europeana. The research group of Politecnico di Milano is dealing with the 3D modelling of the Archaeological Museum of Milan and most of its valuable content. In this paper an optimized 3D modelling pipeline is shown, that takes into account all the potential problems occurring during the survey and the related data processing. Most of the 3D digitization activity have been made exploiting the Structure From Motion (SfM) technique, handling all the acquisition (e.g. objects enlightenment, camera-object relative positioning, object shape and material, etc.) and processing problems (e.g. difficulties in the alignment step, model scaling, mesh optimization, etc.), but without neglecting the metric rigor of the results. This optimized process has been applied on a significant number of items, showing how this technique can allow large scale 3D digitization projects with relatively limited efforts.http://www.isprs-ann-photogramm-remote-sens-spatial-inf-sci.net/II-5-W1/151/2013/isprsannals-II-5-W1-151-2013.pdf |
spellingShingle | S. Gonizzi Barsanti G. Guidi 3D DIGITIZATION OF MUSEUM CONTENT WITHIN THE 3DICONS PROJECT ISPRS Annals of the Photogrammetry, Remote Sensing and Spatial Information Sciences |
title | 3D DIGITIZATION OF MUSEUM CONTENT WITHIN THE 3DICONS PROJECT |
title_full | 3D DIGITIZATION OF MUSEUM CONTENT WITHIN THE 3DICONS PROJECT |
title_fullStr | 3D DIGITIZATION OF MUSEUM CONTENT WITHIN THE 3DICONS PROJECT |
title_full_unstemmed | 3D DIGITIZATION OF MUSEUM CONTENT WITHIN THE 3DICONS PROJECT |
title_short | 3D DIGITIZATION OF MUSEUM CONTENT WITHIN THE 3DICONS PROJECT |
title_sort | 3d digitization of museum content within the 3dicons project |
url | http://www.isprs-ann-photogramm-remote-sens-spatial-inf-sci.net/II-5-W1/151/2013/isprsannals-II-5-W1-151-2013.pdf |
work_keys_str_mv | AT sgonizzibarsanti 3ddigitizationofmuseumcontentwithinthe3diconsproject AT gguidi 3ddigitizationofmuseumcontentwithinthe3diconsproject |