The philosophy of physical and sensory communication in the dramatic show
Modern critical theories revealed polemical views about the reality of the existence of communication - as a necessity for building a deliberative discourse - in the theater or not. To the theory of communication with all the conditions it imposes on thinking, interaction, and emancipation of selve...
Main Authors: | , |
---|---|
Format: | Article |
Language: | Arabic |
Published: |
College of Fine Arts / University of Baghdad
2022-09-01
|
Series: | الاكاديمي |
Subjects: | |
Online Access: | https://jcofarts.uobaghdad.edu.iq/index.php/jcofarts/article/view/846 |
_version_ | 1811340469963063296 |
---|---|
author | Nashat mubarak sliwa Bashar Abdulghani Mohammad |
author_facet | Nashat mubarak sliwa Bashar Abdulghani Mohammad |
author_sort | Nashat mubarak sliwa |
collection | DOAJ |
description |
Modern critical theories revealed polemical views about the reality of the existence of communication - as a necessity for building a deliberative discourse - in the theater or not. To the theory of communication with all the conditions it imposes on thinking, interaction, and emancipation of selves in different contexts.
Therefore, the current research included four chapters, the first chapter dealt with the research problem, which was represented in (the philosophy of sensory and physical communication in theatrical performance), and the first chapter included the importance of the research, its goal and its limits, and ended with defining the terminology, and the second chapter included (theoretical framework) the first topic (philosophical communication), The second topic (communicative theory, its elements and theatrical formats), while the third chapter included a sample and research tool, research and analysis method for a play exhibition (No What Happens), and the fourth chapter included the results of the analysis and the most important conclusions, then referrals and a list of sources
|
first_indexed | 2024-04-13T18:42:25Z |
format | Article |
id | doaj.art-46030d942d46448eaffe2855133817df |
institution | Directory Open Access Journal |
issn | 1819-5229 2523-2029 |
language | Arabic |
last_indexed | 2024-04-13T18:42:25Z |
publishDate | 2022-09-01 |
publisher | College of Fine Arts / University of Baghdad |
record_format | Article |
series | الاكاديمي |
spelling | doaj.art-46030d942d46448eaffe2855133817df2022-12-22T02:34:40ZaraCollege of Fine Arts / University of Baghdadالاكاديمي1819-52292523-20292022-09-0110510.35560/jcofarts105/211-228The philosophy of physical and sensory communication in the dramatic showNashat mubarak sliwa 0Bashar Abdulghani Mohammad1College of Fine Arts / University of MosulCollege of Fine Arts / University of Mosul Modern critical theories revealed polemical views about the reality of the existence of communication - as a necessity for building a deliberative discourse - in the theater or not. To the theory of communication with all the conditions it imposes on thinking, interaction, and emancipation of selves in different contexts. Therefore, the current research included four chapters, the first chapter dealt with the research problem, which was represented in (the philosophy of sensory and physical communication in theatrical performance), and the first chapter included the importance of the research, its goal and its limits, and ended with defining the terminology, and the second chapter included (theoretical framework) the first topic (philosophical communication), The second topic (communicative theory, its elements and theatrical formats), while the third chapter included a sample and research tool, research and analysis method for a play exhibition (No What Happens), and the fourth chapter included the results of the analysis and the most important conclusions, then referrals and a list of sources https://jcofarts.uobaghdad.edu.iq/index.php/jcofarts/article/view/846Communicate, body, Senses |
spellingShingle | Nashat mubarak sliwa Bashar Abdulghani Mohammad The philosophy of physical and sensory communication in the dramatic show الاكاديمي Communicate, body, Senses |
title | The philosophy of physical and sensory communication in the dramatic show |
title_full | The philosophy of physical and sensory communication in the dramatic show |
title_fullStr | The philosophy of physical and sensory communication in the dramatic show |
title_full_unstemmed | The philosophy of physical and sensory communication in the dramatic show |
title_short | The philosophy of physical and sensory communication in the dramatic show |
title_sort | philosophy of physical and sensory communication in the dramatic show |
topic | Communicate, body, Senses |
url | https://jcofarts.uobaghdad.edu.iq/index.php/jcofarts/article/view/846 |
work_keys_str_mv | AT nashatmubaraksliwa thephilosophyofphysicalandsensorycommunicationinthedramaticshow AT basharabdulghanimohammad thephilosophyofphysicalandsensorycommunicationinthedramaticshow AT nashatmubaraksliwa philosophyofphysicalandsensorycommunicationinthedramaticshow AT basharabdulghanimohammad philosophyofphysicalandsensorycommunicationinthedramaticshow |