Developing reflection-in-musicking in creative practices

This article examines the development of reflection-in-musicking in a Write an Opera project at a Norwegian upper secondary school. As part of a PhD project, this case study focuses on a group of seven participants collaborating to create music for an opera with a professional composer facilitating...

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Main Author: Tine Grieg Viig
Format: Article
Language:Danish
Published: Cappelen Damm Akademisk NOASP 2020-11-01
Series:Nordic Research in Music Education
Subjects:
Online Access:https://nrme.no/index.php/nrme/article/view/2633/4590
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author Tine Grieg Viig
author_facet Tine Grieg Viig
author_sort Tine Grieg Viig
collection DOAJ
description This article examines the development of reflection-in-musicking in a Write an Opera project at a Norwegian upper secondary school. As part of a PhD project, this case study focuses on a group of seven participants collaborating to create music for an opera with a professional composer facilitating the process. Interviews, observations and video-recordings make up the body of the empirical material. Theories of musicking (Small 1998) and reflection-in-action (Schön, 1983, 1987), and a sociocultural perspective, have been central to understanding the creative practices examined in this study. Learning features found build on socially and culturally co-constructed repertoires of experience, knowledge and skills. Three modes of reflection-in-musicking are identified from the empirical data: aesthetic, artistic and structural.
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spelling doaj.art-46bfc451939b44ef82c6ac96fcc099852022-12-21T23:35:25ZdanCappelen Damm Akademisk NOASPNordic Research in Music Education2703-80412020-11-011113215010.23865/nrme.v1.2633nrme.v1.2633Developing reflection-in-musicking in creative practicesTine Grieg ViigThis article examines the development of reflection-in-musicking in a Write an Opera project at a Norwegian upper secondary school. As part of a PhD project, this case study focuses on a group of seven participants collaborating to create music for an opera with a professional composer facilitating the process. Interviews, observations and video-recordings make up the body of the empirical material. Theories of musicking (Small 1998) and reflection-in-action (Schön, 1983, 1987), and a sociocultural perspective, have been central to understanding the creative practices examined in this study. Learning features found build on socially and culturally co-constructed repertoires of experience, knowledge and skills. Three modes of reflection-in-musicking are identified from the empirical data: aesthetic, artistic and structural.https://nrme.no/index.php/nrme/article/view/2633/4590creative practicescreative music makingreflection-in-actionmusickingfacilitation
spellingShingle Tine Grieg Viig
Developing reflection-in-musicking in creative practices
Nordic Research in Music Education
creative practices
creative music making
reflection-in-action
musicking
facilitation
title Developing reflection-in-musicking in creative practices
title_full Developing reflection-in-musicking in creative practices
title_fullStr Developing reflection-in-musicking in creative practices
title_full_unstemmed Developing reflection-in-musicking in creative practices
title_short Developing reflection-in-musicking in creative practices
title_sort developing reflection in musicking in creative practices
topic creative practices
creative music making
reflection-in-action
musicking
facilitation
url https://nrme.no/index.php/nrme/article/view/2633/4590
work_keys_str_mv AT tinegriegviig developingreflectioninmusickingincreativepractices