“The best tradition of womanhood”: Negotiating and Reading Identities in Emma Donoghue’s Landing

This article reads Emma Donoghue's 2007 novel <em>Landing </em>as an intersectional romance. The novel's conflict emerges not only from the distance between the two lovers, the Irish flight attendant Síle and the Canadian curator Jude, but from several intersecting differences:...

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Main Author: Kaarina Mikalson
Format: Article
Language:English
Published: Ediciones Universidad de Salamanca 2018-05-01
Series:Canada and Beyond
Subjects:
Online Access:http://www.uhu.es/publicaciones/ojs/index.php/CanadaBeyond/article/view/3061
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author Kaarina Mikalson
author_facet Kaarina Mikalson
author_sort Kaarina Mikalson
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description This article reads Emma Donoghue's 2007 novel <em>Landing </em>as an intersectional romance. The novel's conflict emerges not only from the distance between the two lovers, the Irish flight attendant Síle and the Canadian curator Jude, but from several intersecting differences: gender identity, class, race, age, sexual orientation, and nationality. Specifically, this article lays out how Síle’s nationality and sexuality are compromised through invisibility, and unpacks how her race and gender contribute to this invisibility. While Jude is recognizably queer and Canadian, as a femme of colour Síle’s identity requires more explanation and affirmation. Through <em>Landing</em>, Emma Donoghue examines how Síle can find happiness without compromising her identity as an Irish racialized femme.
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spelling doaj.art-46cb24d62b3c4d2bba4e46d6aa12c9792022-12-22T03:56:05ZengEdiciones Universidad de SalamancaCanada and Beyond2254-11792018-05-017010.33776/candb.v7i0.30613967“The best tradition of womanhood”: Negotiating and Reading Identities in Emma Donoghue’s LandingKaarina Mikalson0Dalhousie UniversityThis article reads Emma Donoghue's 2007 novel <em>Landing </em>as an intersectional romance. The novel's conflict emerges not only from the distance between the two lovers, the Irish flight attendant Síle and the Canadian curator Jude, but from several intersecting differences: gender identity, class, race, age, sexual orientation, and nationality. Specifically, this article lays out how Síle’s nationality and sexuality are compromised through invisibility, and unpacks how her race and gender contribute to this invisibility. While Jude is recognizably queer and Canadian, as a femme of colour Síle’s identity requires more explanation and affirmation. Through <em>Landing</em>, Emma Donoghue examines how Síle can find happiness without compromising her identity as an Irish racialized femme.http://www.uhu.es/publicaciones/ojs/index.php/CanadaBeyond/article/view/3061literatura canadienseliteratura irlandesaqueeramor romántico
spellingShingle Kaarina Mikalson
“The best tradition of womanhood”: Negotiating and Reading Identities in Emma Donoghue’s Landing
Canada and Beyond
literatura canadiense
literatura irlandesa
queer
amor romántico
title “The best tradition of womanhood”: Negotiating and Reading Identities in Emma Donoghue’s Landing
title_full “The best tradition of womanhood”: Negotiating and Reading Identities in Emma Donoghue’s Landing
title_fullStr “The best tradition of womanhood”: Negotiating and Reading Identities in Emma Donoghue’s Landing
title_full_unstemmed “The best tradition of womanhood”: Negotiating and Reading Identities in Emma Donoghue’s Landing
title_short “The best tradition of womanhood”: Negotiating and Reading Identities in Emma Donoghue’s Landing
title_sort the best tradition of womanhood negotiating and reading identities in emma donoghue s landing
topic literatura canadiense
literatura irlandesa
queer
amor romántico
url http://www.uhu.es/publicaciones/ojs/index.php/CanadaBeyond/article/view/3061
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