DESIGNING MUSEUM EXHIBITION’SCOMMUNICATION: REPORT AND RESEARCHANALYSIS

Between March and August 2022, the NationalMuseum in Lublin mounted the first in Poland exhibition ofthe Polish painter Tamara Lempicka. The number of publicwho visited it reached 86,667, which made it an event of thehighest turn-out in Poland.An attempt to analyse the wonder of Lempicka’s communica...

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Main Author: Katarzyna Mieczkowska
Format: Article
Language:deu
Published: Index Copernicus International S.A. 2023-05-01
Series:Muzealnictwo
Subjects:
Online Access:http://muzealnictworocznik.com/gicid/01.3001.0053.4737
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author Katarzyna Mieczkowska
author_facet Katarzyna Mieczkowska
author_sort Katarzyna Mieczkowska
collection DOAJ
description Between March and August 2022, the NationalMuseum in Lublin mounted the first in Poland exhibition ofthe Polish painter Tamara Lempicka. The number of publicwho visited it reached 86,667, which made it an event of thehighest turn-out in Poland.An attempt to analyse the wonder of Lempicka’s communicationsuccess, the unwavering interest in her personalityand art, has been made by the Author. This effortwas helped through reaching the current carriers of herbrand, namely contemporary fashion designers, authorsof adverts, films, or literature pieces. The Author analysedthe results of the research conducted during the Exhibition,amounting to 1,544 surveys in total. The study’s purposewas to verify public’s satisfaction, locations visitors hadcome from, source of information on the Exhibition, efficiencyof the Museum’s communication endeavours,and the public’s profile. The visitors considered thefollowing to have been the Exhibition’s strongest points(by order of preference); exhibits, topic, layout, narrative,curator’s concept, and the design. Interestingly, when theExhibition was open to the public and the advertising andinforming campaign was being implemented, the administratorsof social media observed a significant increase inthe number of visitors, The Facebook profile witnessed theincrease by 54.8 per cent versus the previous five months,while the Instagram account’s visits grew by as many as202.6 per cent.Furthermore, also the campaign promoting the eventwas analysed; it was not limited either to the Internet orexternal advertising, but was also conducted at the venuewhere the Exhibition was held. The power of socialmedia was efficiently used and consciously managed by theExhibition organizers, which substantially contributed to popularizingthe project.
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spelling doaj.art-47323d07bf5d4f279c6bc7bbd24491a92023-12-01T12:42:22ZdeuIndex Copernicus International S.A.Muzealnictwo0464-10862391-48152023-05-0164435010.5604/01.3001.0053.473701.3001.0053.4737DESIGNING MUSEUM EXHIBITION’SCOMMUNICATION: REPORT AND RESEARCHANALYSISKatarzyna Mieczkowska0Uniwersytet Marii Curie-Skłodowskiej w LublinieBetween March and August 2022, the NationalMuseum in Lublin mounted the first in Poland exhibition ofthe Polish painter Tamara Lempicka. The number of publicwho visited it reached 86,667, which made it an event of thehighest turn-out in Poland.An attempt to analyse the wonder of Lempicka’s communicationsuccess, the unwavering interest in her personalityand art, has been made by the Author. This effortwas helped through reaching the current carriers of herbrand, namely contemporary fashion designers, authorsof adverts, films, or literature pieces. The Author analysedthe results of the research conducted during the Exhibition,amounting to 1,544 surveys in total. The study’s purposewas to verify public’s satisfaction, locations visitors hadcome from, source of information on the Exhibition, efficiencyof the Museum’s communication endeavours,and the public’s profile. The visitors considered thefollowing to have been the Exhibition’s strongest points(by order of preference); exhibits, topic, layout, narrative,curator’s concept, and the design. Interestingly, when theExhibition was open to the public and the advertising andinforming campaign was being implemented, the administratorsof social media observed a significant increase inthe number of visitors, The Facebook profile witnessed theincrease by 54.8 per cent versus the previous five months,while the Instagram account’s visits grew by as many as202.6 per cent.Furthermore, also the campaign promoting the eventwas analysed; it was not limited either to the Internet orexternal advertising, but was also conducted at the venuewhere the Exhibition was held. The power of socialmedia was efficiently used and consciously managed by theExhibition organizers, which substantially contributed to popularizingthe project.http://muzealnictworocznik.com/gicid/01.3001.0053.4737communication efficiencyevent’s impact on the city and regionmuseums’ communication challengenew media in museumsexhibition as communication spaceresearch into the public
spellingShingle Katarzyna Mieczkowska
DESIGNING MUSEUM EXHIBITION’SCOMMUNICATION: REPORT AND RESEARCHANALYSIS
Muzealnictwo
communication efficiency
event’s impact on the city and region
museums’ communication challenge
new media in museums
exhibition as communication space
research into the public
title DESIGNING MUSEUM EXHIBITION’SCOMMUNICATION: REPORT AND RESEARCHANALYSIS
title_full DESIGNING MUSEUM EXHIBITION’SCOMMUNICATION: REPORT AND RESEARCHANALYSIS
title_fullStr DESIGNING MUSEUM EXHIBITION’SCOMMUNICATION: REPORT AND RESEARCHANALYSIS
title_full_unstemmed DESIGNING MUSEUM EXHIBITION’SCOMMUNICATION: REPORT AND RESEARCHANALYSIS
title_short DESIGNING MUSEUM EXHIBITION’SCOMMUNICATION: REPORT AND RESEARCHANALYSIS
title_sort designing museum exhibition scommunication report and researchanalysis
topic communication efficiency
event’s impact on the city and region
museums’ communication challenge
new media in museums
exhibition as communication space
research into the public
url http://muzealnictworocznik.com/gicid/01.3001.0053.4737
work_keys_str_mv AT katarzynamieczkowska designingmuseumexhibitionscommunicationreportandresearchanalysis