Eluding the Void: Art and Humor as Anodynes for Witkiewicz, Beckett, and Faulkner
The author considers the extent to which the literary workof these writers was driven by a response to the apparent vacuousness of existence. A brief overview of their lives traces the interplay of eschatological questions and the forces of creativity. Impressions gleaned from such varied backgro...
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| Format: | Article |
| Language: | deu |
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Institute of Philosophy of the Jagiellonian University
2013-12-01
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| Series: | The Polish Journal of Aesthetics |
| Online Access: | https://pjaesthetics.uj.edu.pl/documents/138618288/138871840/eik_31_20.pdf/1d1e53ad-5f92-4956-98be-6a593d61d0d7 |
| Summary: | The author considers the extent to which the literary workof these writers was driven by a response to the apparent vacuousness of existence. A brief overview of their lives traces the interplay of eschatological questions and the forces of creativity. Impressions gleaned from such varied backgrounds were often interwoven into their creative outputs which often share a Schopenhauerean common denominator. This often translates to a sullen pessimism which suffuses their respective works and emanates from the concept of the void. Establishing a case for the degree to which art and humor acted as anodynes is speculative; there is no question concerning the importance of both in their lives. Art, or engagement in the creative process, occupied the mainstay of their intellectual lives. Moreover, humor, particularly of the black or mordant variety, is a hallmark of the trio’s entire oeuvre. |
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| ISSN: | 2544-8242 2544-8242 |