Aesthetics of reception, Jauss, implied reader and actual reader.

<p>The aim of this paper is to discuss how Hans Robert Jauss, the creator of the aesthetics of reception, has introduced the category of the reader into the literary studies especially when it comes to the importance of the reader to the understanding of the text, and to the history of a socie...

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Main Author: Jefferson Cleiton de Souza
Format: Article
Language:Spanish
Published: Universidade de São Paulo 2012-11-01
Series:Revista Criação & Crítica
Subjects:
Online Access:http://www.revistas.usp.br/criacaoecritica/article/view/46861
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author Jefferson Cleiton de Souza
author_facet Jefferson Cleiton de Souza
author_sort Jefferson Cleiton de Souza
collection DOAJ
description <p>The aim of this paper is to discuss how Hans Robert Jauss, the creator of the aesthetics of reception, has introduced the category of the reader into the literary studies especially when it comes to the importance of the reader to the understanding of the text, and to the history of a society and its literary system or, in other words to the way the formal elements of a literary work are organized and how they are related to aesthetic, ethic and moral evaluations. To do so, it is necessary to analyze how the conceptions of implied and actual reader, as well as of aesthetic experience, relate to questions of history, artistic communication and reception.     </p>
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spelling doaj.art-474cb9f3db1f44bc9bf28a51b53c9f732022-12-22T02:25:30ZspaUniversidade de São PauloRevista Criação & Crítica1984-11242012-11-0109526010.11606/issn.1984-1124.v0i9p52-6046589Aesthetics of reception, Jauss, implied reader and actual reader.Jefferson Cleiton de Souza0Universidade Federal de Pernambuco<p>The aim of this paper is to discuss how Hans Robert Jauss, the creator of the aesthetics of reception, has introduced the category of the reader into the literary studies especially when it comes to the importance of the reader to the understanding of the text, and to the history of a society and its literary system or, in other words to the way the formal elements of a literary work are organized and how they are related to aesthetic, ethic and moral evaluations. To do so, it is necessary to analyze how the conceptions of implied and actual reader, as well as of aesthetic experience, relate to questions of history, artistic communication and reception.     </p>http://www.revistas.usp.br/criacaoecritica/article/view/46861Estética da recepção, Jauss, leitor implícito e explícito.
spellingShingle Jefferson Cleiton de Souza
Aesthetics of reception, Jauss, implied reader and actual reader.
Revista Criação & Crítica
Estética da recepção, Jauss, leitor implícito e explícito.
title Aesthetics of reception, Jauss, implied reader and actual reader.
title_full Aesthetics of reception, Jauss, implied reader and actual reader.
title_fullStr Aesthetics of reception, Jauss, implied reader and actual reader.
title_full_unstemmed Aesthetics of reception, Jauss, implied reader and actual reader.
title_short Aesthetics of reception, Jauss, implied reader and actual reader.
title_sort aesthetics of reception jauss implied reader and actual reader
topic Estética da recepção, Jauss, leitor implícito e explícito.
url http://www.revistas.usp.br/criacaoecritica/article/view/46861
work_keys_str_mv AT jeffersoncleitondesouza aestheticsofreceptionjaussimpliedreaderandactualreader