Béroul’s Tristran: Emblems of Sublimation, Exhibitionism, and Castration Fantasy
The violence in Béroul’s <i>Tristran</i> has discomforted many readers and even a few scholars. However, by examining the psychological motivations behind these graphic scenes, important structural elements are revealed. Mark and Iseut have fantasies of violence that lend themselves to a...
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| Format: | Article |
| Language: | English |
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MDPI AG
2022-08-01
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| Series: | Humanities |
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| Online Access: | https://www.mdpi.com/2076-0787/11/5/108 |
| _version_ | 1797472892332539904 |
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| author | Reid Fuller Hardaway |
| author_facet | Reid Fuller Hardaway |
| author_sort | Reid Fuller Hardaway |
| collection | DOAJ |
| description | The violence in Béroul’s <i>Tristran</i> has discomforted many readers and even a few scholars. However, by examining the psychological motivations behind these graphic scenes, important structural elements are revealed. Mark and Iseut have fantasies of violence that lend themselves to analyses. The fantasies emerge from the subconscious, and they are the result of concealed resentment and repressed emotions. For Mark, the consequences are rage and murder. Tristran makes many boasts regarding his physical strength, but he has a propensity for avoidance and passivity, even when his authority is being challenged. Iseut uses an encoded rhetoric to facilitate what she wants, while she simultaneously preserves her own security. Nonetheless, in the end, Tristran and Iseut’s affair is mostly sustained through King Mark’s self-delusion. At a subconscious level, he must be aware of his wife’s infidelity, but he cannot bring himself to recognize it. Failing to resolve his inner conflict, Mark redirects his rage and attacks his advisor, Frocin, the one character in the poem who appears committed to telling the king the truth. The plot continues as the love affair remains concealed, largely because the characters are motivated by subconscious forces. |
| first_indexed | 2024-03-09T20:08:34Z |
| format | Article |
| id | doaj.art-477e1ca81be949759fe85bb368d04f46 |
| institution | Directory Open Access Journal |
| issn | 2076-0787 |
| language | English |
| last_indexed | 2024-03-09T20:08:34Z |
| publishDate | 2022-08-01 |
| publisher | MDPI AG |
| record_format | Article |
| series | Humanities |
| spelling | doaj.art-477e1ca81be949759fe85bb368d04f462023-11-24T00:24:31ZengMDPI AGHumanities2076-07872022-08-0111510810.3390/h11050108Béroul’s Tristran: Emblems of Sublimation, Exhibitionism, and Castration FantasyReid Fuller Hardaway0Faculty of the School of the Humanities and Social Sciences, Claflin University, Orangeburg, SC 29115, USAThe violence in Béroul’s <i>Tristran</i> has discomforted many readers and even a few scholars. However, by examining the psychological motivations behind these graphic scenes, important structural elements are revealed. Mark and Iseut have fantasies of violence that lend themselves to analyses. The fantasies emerge from the subconscious, and they are the result of concealed resentment and repressed emotions. For Mark, the consequences are rage and murder. Tristran makes many boasts regarding his physical strength, but he has a propensity for avoidance and passivity, even when his authority is being challenged. Iseut uses an encoded rhetoric to facilitate what she wants, while she simultaneously preserves her own security. Nonetheless, in the end, Tristran and Iseut’s affair is mostly sustained through King Mark’s self-delusion. At a subconscious level, he must be aware of his wife’s infidelity, but he cannot bring himself to recognize it. Failing to resolve his inner conflict, Mark redirects his rage and attacks his advisor, Frocin, the one character in the poem who appears committed to telling the king the truth. The plot continues as the love affair remains concealed, largely because the characters are motivated by subconscious forces.https://www.mdpi.com/2076-0787/11/5/108TristanTristranIsoldeOvidArthurian romanceBéroul |
| spellingShingle | Reid Fuller Hardaway Béroul’s Tristran: Emblems of Sublimation, Exhibitionism, and Castration Fantasy Humanities Tristan Tristran Isolde Ovid Arthurian romance Béroul |
| title | Béroul’s Tristran: Emblems of Sublimation, Exhibitionism, and Castration Fantasy |
| title_full | Béroul’s Tristran: Emblems of Sublimation, Exhibitionism, and Castration Fantasy |
| title_fullStr | Béroul’s Tristran: Emblems of Sublimation, Exhibitionism, and Castration Fantasy |
| title_full_unstemmed | Béroul’s Tristran: Emblems of Sublimation, Exhibitionism, and Castration Fantasy |
| title_short | Béroul’s Tristran: Emblems of Sublimation, Exhibitionism, and Castration Fantasy |
| title_sort | beroul s tristran emblems of sublimation exhibitionism and castration fantasy |
| topic | Tristan Tristran Isolde Ovid Arthurian romance Béroul |
| url | https://www.mdpi.com/2076-0787/11/5/108 |
| work_keys_str_mv | AT reidfullerhardaway beroulstristranemblemsofsublimationexhibitionismandcastrationfantasy |