Black as A Redeeming Hero in My Name is Red

This article applies Joseph Campbell’s mythological perspective to discuss Black’s character as a redeemer in Orhan Pamuk’s My Name Is Red (2002). This is done through discussing him as a lover whose dialogic interaction with the outside world helps him restore peace and order in an exemplary multic...

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Main Author: Elham Mohammadi Achachelooei
Format: Article
Language:English
Published: Alzahra University 2023-02-01
Series:Journal of Language Horizons
Subjects:
Online Access:https://lghor.alzahra.ac.ir/article_6180_9e5dbbb14e6d35edfad66120c4c8a3a7.pdf
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author Elham Mohammadi Achachelooei
author_facet Elham Mohammadi Achachelooei
author_sort Elham Mohammadi Achachelooei
collection DOAJ
description This article applies Joseph Campbell’s mythological perspective to discuss Black’s character as a redeemer in Orhan Pamuk’s My Name Is Red (2002). This is done through discussing him as a lover whose dialogic interaction with the outside world helps him restore peace and order in an exemplary multicultural Ottoman society of the sixteenth century that is suffering gradual disappearance under the pressure of monologic strategies of communication. The strategies include Eastern and Western traditions of painting and a religious anti-painting one which refutes the other two as blasphemous. This investigation challenges the dominant reviews of MNR as a pessimistic political allegory that regrets the disappearance of traditional Turkish cultural identity, and argues that MNR develops an optimistic stand toward cultural formation through detailing Black’s practice of self-understanding and adaptability. Highlighting the notion of life-and-death struggle, this article introduces Black as a reviver whose success is signified through his marital reunion.
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spelling doaj.art-478378b789a7430aba8ca711fae660942023-02-19T11:59:48ZengAlzahra UniversityJournal of Language Horizons2588-350X2588-56342023-02-016472610.22051/lghor.2022.37650.15596180Black as A Redeeming Hero in My Name is RedElham Mohammadi Achachelooei0Assistant Professor, English Language Department, Faculty of Humanities, University of Zanjan, Zanjan, Iran.This article applies Joseph Campbell’s mythological perspective to discuss Black’s character as a redeemer in Orhan Pamuk’s My Name Is Red (2002). This is done through discussing him as a lover whose dialogic interaction with the outside world helps him restore peace and order in an exemplary multicultural Ottoman society of the sixteenth century that is suffering gradual disappearance under the pressure of monologic strategies of communication. The strategies include Eastern and Western traditions of painting and a religious anti-painting one which refutes the other two as blasphemous. This investigation challenges the dominant reviews of MNR as a pessimistic political allegory that regrets the disappearance of traditional Turkish cultural identity, and argues that MNR develops an optimistic stand toward cultural formation through detailing Black’s practice of self-understanding and adaptability. Highlighting the notion of life-and-death struggle, this article introduces Black as a reviver whose success is signified through his marital reunion.https://lghor.alzahra.ac.ir/article_6180_9e5dbbb14e6d35edfad66120c4c8a3a7.pdfjoseph campbellorhan pamuksaviordialogismmonologism
spellingShingle Elham Mohammadi Achachelooei
Black as A Redeeming Hero in My Name is Red
Journal of Language Horizons
joseph campbell
orhan pamuk
savior
dialogism
monologism
title Black as A Redeeming Hero in My Name is Red
title_full Black as A Redeeming Hero in My Name is Red
title_fullStr Black as A Redeeming Hero in My Name is Red
title_full_unstemmed Black as A Redeeming Hero in My Name is Red
title_short Black as A Redeeming Hero in My Name is Red
title_sort black as a redeeming hero in my name is red
topic joseph campbell
orhan pamuk
savior
dialogism
monologism
url https://lghor.alzahra.ac.ir/article_6180_9e5dbbb14e6d35edfad66120c4c8a3a7.pdf
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