Ideology, humanness, and value. On Adorno’s Stravinsky

Theodor W. Adorno’s critique of Igor Stravinsky has itself been repeatedly criticised. Following the same line, the present article takes as its point of departure the philosophical anthropology of Helmuth Plessner, which challenges the premises of Marxist anthropology, on which Adorno base...

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Main Author: Tsetsos Markos
Format: Article
Language:English
Published: Serbian Academy of Sciences and Arts - Institute of Musicology of Serbian Academy of Sciences and Arts 2023-01-01
Series:Muzikologija
Subjects:
Online Access:https://doiserbia.nb.rs/img/doi/1450-9814/2023/1450-98142334095T.pdf
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author Tsetsos Markos
author_facet Tsetsos Markos
author_sort Tsetsos Markos
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description Theodor W. Adorno’s critique of Igor Stravinsky has itself been repeatedly criticised. Following the same line, the present article takes as its point of departure the philosophical anthropology of Helmuth Plessner, which challenges the premises of Marxist anthropology, on which Adorno based his critique of Stravinsky. Far from regressing to the inhuman and primitive, Stravinsky’s music affirms, in historically adequate modern terms, the constitutive reflectivity of the human embodied condition, thus becoming more “human”, i.e. meaningful and expressive, than Adorno could have even conceived. Additionally, an account is provided of some groundbreaking musical qualities that underpin the artistic value of Stravinsky’s music, which Adorno also contested.
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spelling doaj.art-478b26756ecb4de7bbe047071173c0612023-08-09T12:42:28ZengSerbian Academy of Sciences and Arts - Institute of Musicology of Serbian Academy of Sciences and ArtsMuzikologija1450-98142406-09762023-01-012023349510710.2298/MUZ2334095T1450-98142334095TIdeology, humanness, and value. On Adorno’s StravinskyTsetsos Markos0National and Kapodistrian University of Athens, Department for Music Studies, Athens, GreeceTheodor W. Adorno’s critique of Igor Stravinsky has itself been repeatedly criticised. Following the same line, the present article takes as its point of departure the philosophical anthropology of Helmuth Plessner, which challenges the premises of Marxist anthropology, on which Adorno based his critique of Stravinsky. Far from regressing to the inhuman and primitive, Stravinsky’s music affirms, in historically adequate modern terms, the constitutive reflectivity of the human embodied condition, thus becoming more “human”, i.e. meaningful and expressive, than Adorno could have even conceived. Additionally, an account is provided of some groundbreaking musical qualities that underpin the artistic value of Stravinsky’s music, which Adorno also contested.https://doiserbia.nb.rs/img/doi/1450-9814/2023/1450-98142334095T.pdftheodor w. adornoigor stravinskyhelmuth plessnerphilosophical anthropologymusical value
spellingShingle Tsetsos Markos
Ideology, humanness, and value. On Adorno’s Stravinsky
Muzikologija
theodor w. adorno
igor stravinsky
helmuth plessner
philosophical anthropology
musical value
title Ideology, humanness, and value. On Adorno’s Stravinsky
title_full Ideology, humanness, and value. On Adorno’s Stravinsky
title_fullStr Ideology, humanness, and value. On Adorno’s Stravinsky
title_full_unstemmed Ideology, humanness, and value. On Adorno’s Stravinsky
title_short Ideology, humanness, and value. On Adorno’s Stravinsky
title_sort ideology humanness and value on adorno s stravinsky
topic theodor w. adorno
igor stravinsky
helmuth plessner
philosophical anthropology
musical value
url https://doiserbia.nb.rs/img/doi/1450-9814/2023/1450-98142334095T.pdf
work_keys_str_mv AT tsetsosmarkos ideologyhumannessandvalueonadornosstravinsky