Star Making: A Publishing History of Thea Astley

This article focuses directly on Thea Astley’s publishing history from the time of her involvement with Brisbane’s avant garde in the 1950s, her early inclusion in regional collections, and her emergence as a Miles Franklin prize-winning author, through the enabling pen and advocacy of one of Angus...

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Main Authors: Deborah Jordan, Louise Poland
Format: Article
Language:English
Published: James Cook University 2016-08-01
Series:eTropic: electronic journal of studies in the tropics
Online Access:https://journals.jcu.edu.au/etropic/article/view/3387
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author Deborah Jordan
Louise Poland
author_facet Deborah Jordan
Louise Poland
author_sort Deborah Jordan
collection DOAJ
description This article focuses directly on Thea Astley’s publishing history from the time of her involvement with Brisbane’s avant garde in the 1950s, her early inclusion in regional collections, and her emergence as a Miles Franklin prize-winning author, through the enabling pen and advocacy of one of Angus & Robertson (A&R)’s finest fiction editors, Beatrice Davis, to the establishment in the 1980s of Astley’s ultimate author-publisher relationship with Penguin Books and her own overseas literary agent. It will also examine the publishing trajectory of selected novels released and re-issued by the University of Queensland Press (UQP) and Penguin Books, and revisit the divides between writer and editor, publisher and publicist, and the dis/enabling inspiration of difference in the tropics, in the context of the gendered histories of publishing at A&R, Penguin Books and UQP.
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spelling doaj.art-47aefe35d30242149930c4688c5053642022-12-21T20:02:04ZengJames Cook UniversityeTropic: electronic journal of studies in the tropics1448-29402016-08-01122Star Making: A Publishing History of Thea AstleyDeborah Jordan0Louise Poland1Monash UniversityMonash UniversityThis article focuses directly on Thea Astley’s publishing history from the time of her involvement with Brisbane’s avant garde in the 1950s, her early inclusion in regional collections, and her emergence as a Miles Franklin prize-winning author, through the enabling pen and advocacy of one of Angus & Robertson (A&R)’s finest fiction editors, Beatrice Davis, to the establishment in the 1980s of Astley’s ultimate author-publisher relationship with Penguin Books and her own overseas literary agent. It will also examine the publishing trajectory of selected novels released and re-issued by the University of Queensland Press (UQP) and Penguin Books, and revisit the divides between writer and editor, publisher and publicist, and the dis/enabling inspiration of difference in the tropics, in the context of the gendered histories of publishing at A&R, Penguin Books and UQP.https://journals.jcu.edu.au/etropic/article/view/3387
spellingShingle Deborah Jordan
Louise Poland
Star Making: A Publishing History of Thea Astley
eTropic: electronic journal of studies in the tropics
title Star Making: A Publishing History of Thea Astley
title_full Star Making: A Publishing History of Thea Astley
title_fullStr Star Making: A Publishing History of Thea Astley
title_full_unstemmed Star Making: A Publishing History of Thea Astley
title_short Star Making: A Publishing History of Thea Astley
title_sort star making a publishing history of thea astley
url https://journals.jcu.edu.au/etropic/article/view/3387
work_keys_str_mv AT deborahjordan starmakingapublishinghistoryoftheaastley
AT louisepoland starmakingapublishinghistoryoftheaastley