‘The fringes in and of art historiography in post-1945 Europe’. Review of: Noemi de Haro García, Patricia Mayayo and Jesús Carrillo (eds.), Making Art History in Europe after 1945
The volume under review here investigates how politics in post-1945 Europe affected the academic, critical and political discourses on art. It focuses specifically (but not exclusively) on the fringes of the continent: the eastern and southern regions, thus highlighting the role played by the discip...
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Format: | Article |
Language: | English |
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Department of Art History, University of Birmingham
2021-06-01
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Series: | Journal of Art Historiography |
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Online Access: | https://arthistoriography.files.wordpress.com/2021/02/witte-rev.pdf |
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author | Arnold Witte |
author_facet | Arnold Witte |
author_sort | Arnold Witte |
collection | DOAJ |
description | The volume under review here investigates how politics in post-1945 Europe affected the academic, critical and political discourses on art. It focuses specifically (but not exclusively) on the fringes of the continent: the eastern and southern regions, thus highlighting the role played by the discipline of art history in former Communist countries and erstwhile military (fascist) regimes. The volume also sets out to expand upon the sources of art historiography by tying into the current strand of research on the exhibitionary complex, and by discussing cultural policies and art criticism. The result is an intellectual journey through time and geopolitical space, and across disciplines. Although the volume sets a new agenda in decentralising the approach of art historiography by shifting the focus from a regional to a geopolitical perspective, it has failed to convincingly fill this gap, largely because of the inclusion of criticism and cultural policy, inevitably leading to a fragmented and, at times, superficial view of how politics influences the discourse on the arts. |
first_indexed | 2024-12-19T12:38:00Z |
format | Article |
id | doaj.art-47b8ebb93b6c4688b5ca792c93b94080 |
institution | Directory Open Access Journal |
issn | 2042-4752 |
language | English |
last_indexed | 2024-12-19T12:38:00Z |
publishDate | 2021-06-01 |
publisher | Department of Art History, University of Birmingham |
record_format | Article |
series | Journal of Art Historiography |
spelling | doaj.art-47b8ebb93b6c4688b5ca792c93b940802022-12-21T20:21:03ZengDepartment of Art History, University of BirminghamJournal of Art Historiography2042-47522021-06-012424AW1doi.org/10.48352/uobxjah.00003446‘The fringes in and of art historiography in post-1945 Europe’. Review of: Noemi de Haro García, Patricia Mayayo and Jesús Carrillo (eds.), Making Art History in Europe after 1945Arnold Witte0University of AmsterdamThe volume under review here investigates how politics in post-1945 Europe affected the academic, critical and political discourses on art. It focuses specifically (but not exclusively) on the fringes of the continent: the eastern and southern regions, thus highlighting the role played by the discipline of art history in former Communist countries and erstwhile military (fascist) regimes. The volume also sets out to expand upon the sources of art historiography by tying into the current strand of research on the exhibitionary complex, and by discussing cultural policies and art criticism. The result is an intellectual journey through time and geopolitical space, and across disciplines. Although the volume sets a new agenda in decentralising the approach of art historiography by shifting the focus from a regional to a geopolitical perspective, it has failed to convincingly fill this gap, largely because of the inclusion of criticism and cultural policy, inevitably leading to a fragmented and, at times, superficial view of how politics influences the discourse on the arts.https://arthistoriography.files.wordpress.com/2021/02/witte-rev.pdfcold war historiographyeastern europesouthern europecommunismmilitary regimesgeopoliticscultural policyart criticism |
spellingShingle | Arnold Witte ‘The fringes in and of art historiography in post-1945 Europe’. Review of: Noemi de Haro García, Patricia Mayayo and Jesús Carrillo (eds.), Making Art History in Europe after 1945 Journal of Art Historiography cold war historiography eastern europe southern europe communism military regimes geopolitics cultural policy art criticism |
title | ‘The fringes in and of art historiography in post-1945 Europe’. Review of: Noemi de Haro García, Patricia Mayayo and Jesús Carrillo (eds.), Making Art History in Europe after 1945 |
title_full | ‘The fringes in and of art historiography in post-1945 Europe’. Review of: Noemi de Haro García, Patricia Mayayo and Jesús Carrillo (eds.), Making Art History in Europe after 1945 |
title_fullStr | ‘The fringes in and of art historiography in post-1945 Europe’. Review of: Noemi de Haro García, Patricia Mayayo and Jesús Carrillo (eds.), Making Art History in Europe after 1945 |
title_full_unstemmed | ‘The fringes in and of art historiography in post-1945 Europe’. Review of: Noemi de Haro García, Patricia Mayayo and Jesús Carrillo (eds.), Making Art History in Europe after 1945 |
title_short | ‘The fringes in and of art historiography in post-1945 Europe’. Review of: Noemi de Haro García, Patricia Mayayo and Jesús Carrillo (eds.), Making Art History in Europe after 1945 |
title_sort | the fringes in and of art historiography in post 1945 europe review of noemi de haro garcia patricia mayayo and jesus carrillo eds making art history in europe after 1945 |
topic | cold war historiography eastern europe southern europe communism military regimes geopolitics cultural policy art criticism |
url | https://arthistoriography.files.wordpress.com/2021/02/witte-rev.pdf |
work_keys_str_mv | AT arnoldwitte thefringesinandofarthistoriographyinpost1945europereviewofnoemideharogarciapatriciamayayoandjesuscarrilloedsmakingarthistoryineuropeafter1945 |