‘The fringes in and of art historiography in post-1945 Europe’. Review of: Noemi de Haro García, Patricia Mayayo and Jesús Carrillo (eds.), Making Art History in Europe after 1945

The volume under review here investigates how politics in post-1945 Europe affected the academic, critical and political discourses on art. It focuses specifically (but not exclusively) on the fringes of the continent: the eastern and southern regions, thus highlighting the role played by the discip...

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Main Author: Arnold Witte
Format: Article
Language:English
Published: Department of Art History, University of Birmingham 2021-06-01
Series:Journal of Art Historiography
Subjects:
Online Access:https://arthistoriography.files.wordpress.com/2021/02/witte-rev.pdf
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author Arnold Witte
author_facet Arnold Witte
author_sort Arnold Witte
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description The volume under review here investigates how politics in post-1945 Europe affected the academic, critical and political discourses on art. It focuses specifically (but not exclusively) on the fringes of the continent: the eastern and southern regions, thus highlighting the role played by the discipline of art history in former Communist countries and erstwhile military (fascist) regimes. The volume also sets out to expand upon the sources of art historiography by tying into the current strand of research on the exhibitionary complex, and by discussing cultural policies and art criticism. The result is an intellectual journey through time and geopolitical space, and across disciplines. Although the volume sets a new agenda in decentralising the approach of art historiography by shifting the focus from a regional to a geopolitical perspective, it has failed to convincingly fill this gap, largely because of the inclusion of criticism and cultural policy, inevitably leading to a fragmented and, at times, superficial view of how politics influences the discourse on the arts.
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spelling doaj.art-47b8ebb93b6c4688b5ca792c93b940802022-12-21T20:21:03ZengDepartment of Art History, University of BirminghamJournal of Art Historiography2042-47522021-06-012424AW1doi.org/10.48352/uobxjah.00003446‘The fringes in and of art historiography in post-1945 Europe’. Review of: Noemi de Haro García, Patricia Mayayo and Jesús Carrillo (eds.), Making Art History in Europe after 1945Arnold Witte0University of AmsterdamThe volume under review here investigates how politics in post-1945 Europe affected the academic, critical and political discourses on art. It focuses specifically (but not exclusively) on the fringes of the continent: the eastern and southern regions, thus highlighting the role played by the discipline of art history in former Communist countries and erstwhile military (fascist) regimes. The volume also sets out to expand upon the sources of art historiography by tying into the current strand of research on the exhibitionary complex, and by discussing cultural policies and art criticism. The result is an intellectual journey through time and geopolitical space, and across disciplines. Although the volume sets a new agenda in decentralising the approach of art historiography by shifting the focus from a regional to a geopolitical perspective, it has failed to convincingly fill this gap, largely because of the inclusion of criticism and cultural policy, inevitably leading to a fragmented and, at times, superficial view of how politics influences the discourse on the arts.https://arthistoriography.files.wordpress.com/2021/02/witte-rev.pdfcold war historiographyeastern europesouthern europecommunismmilitary regimesgeopoliticscultural policyart criticism
spellingShingle Arnold Witte
‘The fringes in and of art historiography in post-1945 Europe’. Review of: Noemi de Haro García, Patricia Mayayo and Jesús Carrillo (eds.), Making Art History in Europe after 1945
Journal of Art Historiography
cold war historiography
eastern europe
southern europe
communism
military regimes
geopolitics
cultural policy
art criticism
title ‘The fringes in and of art historiography in post-1945 Europe’. Review of: Noemi de Haro García, Patricia Mayayo and Jesús Carrillo (eds.), Making Art History in Europe after 1945
title_full ‘The fringes in and of art historiography in post-1945 Europe’. Review of: Noemi de Haro García, Patricia Mayayo and Jesús Carrillo (eds.), Making Art History in Europe after 1945
title_fullStr ‘The fringes in and of art historiography in post-1945 Europe’. Review of: Noemi de Haro García, Patricia Mayayo and Jesús Carrillo (eds.), Making Art History in Europe after 1945
title_full_unstemmed ‘The fringes in and of art historiography in post-1945 Europe’. Review of: Noemi de Haro García, Patricia Mayayo and Jesús Carrillo (eds.), Making Art History in Europe after 1945
title_short ‘The fringes in and of art historiography in post-1945 Europe’. Review of: Noemi de Haro García, Patricia Mayayo and Jesús Carrillo (eds.), Making Art History in Europe after 1945
title_sort the fringes in and of art historiography in post 1945 europe review of noemi de haro garcia patricia mayayo and jesus carrillo eds making art history in europe after 1945
topic cold war historiography
eastern europe
southern europe
communism
military regimes
geopolitics
cultural policy
art criticism
url https://arthistoriography.files.wordpress.com/2021/02/witte-rev.pdf
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