Myth And Fantasy in Margaret Atwood’s Maddaddam Trilogy

This paper discusses the use of myth and fantasy in Margaret Atwood’s apocalyptic science fiction trilogy Maddaddam. While the plot of the first novel in this trilogy unremittingly moves in a linear direction towards total destruction, the final novel reconnects the end with the beginning of human o...

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Main Author: Canan Şavkay
Format: Article
Language:deu
Published: Hacettepe University 2019-12-01
Series:Hacettepe Üniversitesi Edebiyat Fakültesi Dergisi
Subjects:
Online Access:https://dergipark.org.tr/tr/pub/huefd/issue/39315/434008
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author Canan Şavkay
author_facet Canan Şavkay
author_sort Canan Şavkay
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description This paper discusses the use of myth and fantasy in Margaret Atwood’s apocalyptic science fiction trilogy Maddaddam. While the plot of the first novel in this trilogy unremittingly moves in a linear direction towards total destruction, the final novel reconnects the end with the beginning of human origins and as such, the trilogy reveals also a cyclic structure. It is especially in the connection between the apocalyptic future and the past of human origins that elements of myth and fantasy are foregrounded. Just like science, myth is a mode of understanding and making sense of the world and the way Atwood employs myth and fantasy underscores her engagement with the question pertaining to the nature of what it means to be human. Referring to Mircea Eliade’s concept of humanity as a species marked by a desire to distinguish the sacred from the profane, Atwood, in the last novel of her trilogy, Maddaddam, increasingly drawsparallels between biblical beginnings and her post-apocalyptic fictional world, as the narrative places the fate of the human survivors within the context of the Old Testament. Sharing postmodernism’s anti-humanist stance, mainly revealed in the relentless direction humanity takes towards total annihilation, Maddaddam simultaneously advocates humanist values such as self-determination and the ability to consciously opt for the good. The humanist ideals are significantly connected with elements of myth and fantasy and thus with transcendence. Through the use of myth and fantasy, Atwood advocates humanist values, because in view of increasing global violence and exploitation, responsible moral action becomes the only alternative to ward off the dangers of a disastrous future awaiting humanity
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spelling doaj.art-481c5bec80eb4e81b19a23e96398f7f42023-02-15T16:10:32ZdeuHacettepe UniversityHacettepe Üniversitesi Edebiyat Fakültesi Dergisi1301-57372019-12-0136224425210.32600/huefd.43400887Myth And Fantasy in Margaret Atwood’s Maddaddam TrilogyCanan Şavkay0İSTANBUL ÜNİVERSİTESİ, EDEBİYAT FAKÜLTESİThis paper discusses the use of myth and fantasy in Margaret Atwood’s apocalyptic science fiction trilogy Maddaddam. While the plot of the first novel in this trilogy unremittingly moves in a linear direction towards total destruction, the final novel reconnects the end with the beginning of human origins and as such, the trilogy reveals also a cyclic structure. It is especially in the connection between the apocalyptic future and the past of human origins that elements of myth and fantasy are foregrounded. Just like science, myth is a mode of understanding and making sense of the world and the way Atwood employs myth and fantasy underscores her engagement with the question pertaining to the nature of what it means to be human. Referring to Mircea Eliade’s concept of humanity as a species marked by a desire to distinguish the sacred from the profane, Atwood, in the last novel of her trilogy, Maddaddam, increasingly drawsparallels between biblical beginnings and her post-apocalyptic fictional world, as the narrative places the fate of the human survivors within the context of the Old Testament. Sharing postmodernism’s anti-humanist stance, mainly revealed in the relentless direction humanity takes towards total annihilation, Maddaddam simultaneously advocates humanist values such as self-determination and the ability to consciously opt for the good. The humanist ideals are significantly connected with elements of myth and fantasy and thus with transcendence. Through the use of myth and fantasy, Atwood advocates humanist values, because in view of increasing global violence and exploitation, responsible moral action becomes the only alternative to ward off the dangers of a disastrous future awaiting humanityhttps://dergipark.org.tr/tr/pub/huefd/issue/39315/434008margaret atwoodscience fictionapocalyptic fictionmythfantasymaddaddammargaret atwoodbilim kurguapokaliptik kurgumitfantastikmaddaddam
spellingShingle Canan Şavkay
Myth And Fantasy in Margaret Atwood’s Maddaddam Trilogy
Hacettepe Üniversitesi Edebiyat Fakültesi Dergisi
margaret atwood
science fiction
apocalyptic fiction
myth
fantasy
maddaddam
margaret atwood
bilim kurgu
apokaliptik kurgu
mit
fantastik
maddaddam
title Myth And Fantasy in Margaret Atwood’s Maddaddam Trilogy
title_full Myth And Fantasy in Margaret Atwood’s Maddaddam Trilogy
title_fullStr Myth And Fantasy in Margaret Atwood’s Maddaddam Trilogy
title_full_unstemmed Myth And Fantasy in Margaret Atwood’s Maddaddam Trilogy
title_short Myth And Fantasy in Margaret Atwood’s Maddaddam Trilogy
title_sort myth and fantasy in margaret atwood s maddaddam trilogy
topic margaret atwood
science fiction
apocalyptic fiction
myth
fantasy
maddaddam
margaret atwood
bilim kurgu
apokaliptik kurgu
mit
fantastik
maddaddam
url https://dergipark.org.tr/tr/pub/huefd/issue/39315/434008
work_keys_str_mv AT canansavkay mythandfantasyinmargaretatwoodsmaddaddamtrilogy