Illustration, Rewriting and Transfictionality of «Nikopol Trilogy», by Enki Bilal

<p>This article focuses on the study of the intermedial adaptations of one of the most recognizable titles of adult <em>bande dessinée</em> in France, <em>Nikopol Trilogy</em> by Serbian-born French author Enki Bilal. After a brief discussion of some of the main categor...

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Main Author: Carlos REDONDO SÁNCHEZ
Format: Article
Language:Catalan
Published: Universidad de Salamanca 2016-03-01
Series:1616
Subjects:
Online Access:https://revistas.usal.es/index.php/1616_Anuario_Literatura_Comp/article/view/14042
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author Carlos REDONDO SÁNCHEZ
author_facet Carlos REDONDO SÁNCHEZ
author_sort Carlos REDONDO SÁNCHEZ
collection DOAJ
description <p>This article focuses on the study of the intermedial adaptations of one of the most recognizable titles of adult <em>bande dessinée</em> in France, <em>Nikopol Trilogy</em> by Serbian-born French author Enki Bilal. After a brief discussion of some of the main categories of adaptation, and their applicability to the intermedial circulations from comics to other media such as cinema, radio, television, literature and video games, the analysis focuses on the intermedial productivity of Bilal’s dystopia. This examination is particularly interesting because of the confluence of multiple media and platforms (museum exposition and picture book, theatre and cinema, digital comics and video games) in which narrative materials are modeled in a variety of mechanisms (illustration, rewriting, transfictionality). Thus the persistence of fictional universe and the interest of the major part of its transpositions.</p>
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spelling doaj.art-48401dbb625f49318983d04f8a1554192022-12-21T19:19:23ZcatUniversidad de Salamanca16160210-72872445-22622016-03-015010713312779Illustration, Rewriting and Transfictionality of «Nikopol Trilogy», by Enki BilalCarlos REDONDO SÁNCHEZ0Université de Caen-Basse Normandie<p>This article focuses on the study of the intermedial adaptations of one of the most recognizable titles of adult <em>bande dessinée</em> in France, <em>Nikopol Trilogy</em> by Serbian-born French author Enki Bilal. After a brief discussion of some of the main categories of adaptation, and their applicability to the intermedial circulations from comics to other media such as cinema, radio, television, literature and video games, the analysis focuses on the intermedial productivity of Bilal’s dystopia. This examination is particularly interesting because of the confluence of multiple media and platforms (museum exposition and picture book, theatre and cinema, digital comics and video games) in which narrative materials are modeled in a variety of mechanisms (illustration, rewriting, transfictionality). Thus the persistence of fictional universe and the interest of the major part of its transpositions.</p>https://revistas.usal.es/index.php/1616_Anuario_Literatura_Comp/article/view/14042ilustraciónreescrituratransficcióntrilogie nikopolenki bilal
spellingShingle Carlos REDONDO SÁNCHEZ
Illustration, Rewriting and Transfictionality of «Nikopol Trilogy», by Enki Bilal
1616
ilustración
reescritura
transficción
trilogie nikopol
enki bilal
title Illustration, Rewriting and Transfictionality of «Nikopol Trilogy», by Enki Bilal
title_full Illustration, Rewriting and Transfictionality of «Nikopol Trilogy», by Enki Bilal
title_fullStr Illustration, Rewriting and Transfictionality of «Nikopol Trilogy», by Enki Bilal
title_full_unstemmed Illustration, Rewriting and Transfictionality of «Nikopol Trilogy», by Enki Bilal
title_short Illustration, Rewriting and Transfictionality of «Nikopol Trilogy», by Enki Bilal
title_sort illustration rewriting and transfictionality of nikopol trilogy by enki bilal
topic ilustración
reescritura
transficción
trilogie nikopol
enki bilal
url https://revistas.usal.es/index.php/1616_Anuario_Literatura_Comp/article/view/14042
work_keys_str_mv AT carlosredondosanchez illustrationrewritingandtransfictionalityofnikopoltrilogybyenkibilal