Ivan Ayanov as “Matchless Leporello” (Concerning the subject of Don Juan in I.A. Goncharov’s novel “The Precipice”)
On the basis of the analysis of the first journal publications “Sophia Nikolaevna Belovodova” (1860), “Portrait” (1861) and manuscript editions of the novel “The Precipice” by I.A. Goncharov, the article traces the development of image of I.I. Ayanov associated with the formation of the final novel...
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| Format: | Article |
| Language: | English |
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Sourthern Federal University
2015-03-01
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| Series: | Izvestiâ Ûžnogo Federalʹnogo Universiteta: Filologičeskie Nauki |
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| Online Access: | http://philol-journal.sfedu.ru/index.php/sfuphilol/article/view/777/781 |
| Summary: | On the basis of the analysis of the first journal publications “Sophia Nikolaevna Belovodova” (1860), “Portrait” (1861) and manuscript editions of the novel “The Precipice” by I.A. Goncharov, the article traces the development of image of I.I. Ayanov associated with the formation of the final novel writer Don Juan theme. In the result of the study, it was found that the Don Juan theme in the novel has undergone some transformation from virtually dashed references in journal publications, through the gradual inclusion in chapters manuscript editions of the first part of the novel, to turn it into one of the leading themes in the novel “The Precipice”. |
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| ISSN: | 1995-0640 2312-1343 |