Ronchamp. Un monstruo y tres lugares

<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span style="font-size: 14pt; mso-ansi-language: EN-GB;" lang="EN-GB">After the surprise that its construction caused, various interpretations regarding the heterodoxy of the Roncham...

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Main Author: Guillermo Cabeza Arnáiz
Format: Article
Language:English
Published: Universidad Politécnica de Madrid 2011-10-01
Series:Cuadernos de Proyectos Arquitectónicos
Online Access:http://polired.upm.es/index.php/proyectos_arquitectonicos/article/view/1416
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author Guillermo Cabeza Arnáiz
author_facet Guillermo Cabeza Arnáiz
author_sort Guillermo Cabeza Arnáiz
collection DOAJ
description <p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span style="font-size: 14pt; mso-ansi-language: EN-GB;" lang="EN-GB">After the surprise that its construction caused, various interpretations regarding the heterodoxy of the Ronchamp chapel have appeared. The most recent of these points out its hybrid condition and gives way to another interpretation by relating the chapel with its author's declared intent of giving a "response to horizons" by means of a "word directed at the place" Le Corbusier also uses the avatars of the site during its previous one hundred agitated years, containing the abrupt appearance of a large-scale 19th century factory next to a modest one from medieval times, the overlapping of a ghost-like perimeter of free walls with a small hermitage, and the haughty presence of ruins, though mutilated, still capable of dominating a vast territory.<br />When he first saw the site, le Corbusier was "immediately mesmerized" by a place that is in truth three different places, since the current temple, like the ones preceding it, is a pilgrimage spot placed on a high visible kilometers away. It is also a space of reunion for thousands of pilgrims for annual ceremonies out in the open, and a parish church with weekly mass for little less than one hundred faithful. The building can be understood as the result of a "dream of reason" in which the confrontation of three fields of tension originated by many other emitting centers, each active in its own area and with its own scale, has produced a manifest hybridization on a set of distortions of form born out of reciprocal interaction. <br /></span></p>
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spelling doaj.art-48d00e6211f440da91313bbc0b16244e2022-12-22T02:49:26ZengUniversidad Politécnica de MadridCuadernos de Proyectos Arquitectónicos2171-956X2174-11312011-10-01026977Ronchamp. Un monstruo y tres lugaresGuillermo Cabeza Arnáiz<p class="MsoNormal" style="margin: 0cm 0cm 0pt;"><span style="font-size: 14pt; mso-ansi-language: EN-GB;" lang="EN-GB">After the surprise that its construction caused, various interpretations regarding the heterodoxy of the Ronchamp chapel have appeared. The most recent of these points out its hybrid condition and gives way to another interpretation by relating the chapel with its author's declared intent of giving a "response to horizons" by means of a "word directed at the place" Le Corbusier also uses the avatars of the site during its previous one hundred agitated years, containing the abrupt appearance of a large-scale 19th century factory next to a modest one from medieval times, the overlapping of a ghost-like perimeter of free walls with a small hermitage, and the haughty presence of ruins, though mutilated, still capable of dominating a vast territory.<br />When he first saw the site, le Corbusier was "immediately mesmerized" by a place that is in truth three different places, since the current temple, like the ones preceding it, is a pilgrimage spot placed on a high visible kilometers away. It is also a space of reunion for thousands of pilgrims for annual ceremonies out in the open, and a parish church with weekly mass for little less than one hundred faithful. The building can be understood as the result of a "dream of reason" in which the confrontation of three fields of tension originated by many other emitting centers, each active in its own area and with its own scale, has produced a manifest hybridization on a set of distortions of form born out of reciprocal interaction. <br /></span></p>http://polired.upm.es/index.php/proyectos_arquitectonicos/article/view/1416
spellingShingle Guillermo Cabeza Arnáiz
Ronchamp. Un monstruo y tres lugares
Cuadernos de Proyectos Arquitectónicos
title Ronchamp. Un monstruo y tres lugares
title_full Ronchamp. Un monstruo y tres lugares
title_fullStr Ronchamp. Un monstruo y tres lugares
title_full_unstemmed Ronchamp. Un monstruo y tres lugares
title_short Ronchamp. Un monstruo y tres lugares
title_sort ronchamp un monstruo y tres lugares
url http://polired.upm.es/index.php/proyectos_arquitectonicos/article/view/1416
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