Ruch: kinowość w malarstwie i literaturze

Translation of Mieke Bal's chapter into Polish. Translation of a fragment of Mieke Bal's book Emma & Edvard Looking Sideways: Loneliness and the Cinematic (2017), which accompanied an exhibition of Edward Munch’s painting in Munch Museum in Oslo. Bal analyzes Munch’s work in terms of...

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Bibliographic Details
Main Authors: Mieke Bal, Filip Lipiński
Format: Article
Language:deu
Published: Adam Mickiewicz University Press 2020-12-01
Series:Artium Quaestiones
Subjects:
Online Access:https://pressto.amu.edu.pl/index.php/aq/article/view/26390
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author Mieke Bal
Filip Lipiński
author_facet Mieke Bal
Filip Lipiński
author_sort Mieke Bal
collection DOAJ
description Translation of Mieke Bal's chapter into Polish. Translation of a fragment of Mieke Bal's book Emma & Edvard Looking Sideways: Loneliness and the Cinematic (2017), which accompanied an exhibition of Edward Munch’s painting in Munch Museum in Oslo. Bal analyzes Munch’s work in terms of its cinematic quality offering a persuasive argument about the productiveness of such an approach. Her perspective is framed by diverse notions of movement, inspired by readings of Henri Bergson’s philosophy. Following the set-up of the exhibition, which included her and Michelle Williams Gamaker’s video-installation Madame B., based on Gustave Flaubert’s novel Madame Bovary, she incorporates in her account aspects of cinematic thinking in Flaubert’s literature and discusses a dialogue between Munch’s work and their installation. Finally, Bal talks about the political dimension of movement in art, happening between the artwork and the viewer.  
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spelling doaj.art-48f1f420b9f64c9db4ae185a4a28170f2024-01-23T08:00:18ZdeuAdam Mickiewicz University PressArtium Quaestiones0239-202X2719-45582020-12-013110.14746/aq.2020.31.10Ruch: kinowość w malarstwie i literaturzeMieke Bal0Filip Lipiński1https://orcid.org/0000-0002-4806-2281University of AmsterdamAdam Mickiewicz University, Poznań Translation of Mieke Bal's chapter into Polish. Translation of a fragment of Mieke Bal's book Emma & Edvard Looking Sideways: Loneliness and the Cinematic (2017), which accompanied an exhibition of Edward Munch’s painting in Munch Museum in Oslo. Bal analyzes Munch’s work in terms of its cinematic quality offering a persuasive argument about the productiveness of such an approach. Her perspective is framed by diverse notions of movement, inspired by readings of Henri Bergson’s philosophy. Following the set-up of the exhibition, which included her and Michelle Williams Gamaker’s video-installation Madame B., based on Gustave Flaubert’s novel Madame Bovary, she incorporates in her account aspects of cinematic thinking in Flaubert’s literature and discusses a dialogue between Munch’s work and their installation. Finally, Bal talks about the political dimension of movement in art, happening between the artwork and the viewer.   https://pressto.amu.edu.pl/index.php/aq/article/view/26390the cinematicmovementpaintingfilmEdvard MunchMieke Bal
spellingShingle Mieke Bal
Filip Lipiński
Ruch: kinowość w malarstwie i literaturze
Artium Quaestiones
the cinematic
movement
painting
film
Edvard Munch
Mieke Bal
title Ruch: kinowość w malarstwie i literaturze
title_full Ruch: kinowość w malarstwie i literaturze
title_fullStr Ruch: kinowość w malarstwie i literaturze
title_full_unstemmed Ruch: kinowość w malarstwie i literaturze
title_short Ruch: kinowość w malarstwie i literaturze
title_sort ruch kinowosc w malarstwie i literaturze
topic the cinematic
movement
painting
film
Edvard Munch
Mieke Bal
url https://pressto.amu.edu.pl/index.php/aq/article/view/26390
work_keys_str_mv AT miekebal ruchkinowoscwmalarstwieiliteraturze
AT filiplipinski ruchkinowoscwmalarstwieiliteraturze