Powerlessness as Potential

In this interview piece, the theorist, practitioner and curator Gigi Argyropoulou discusses current forms of political theatre in public spaces that she’s been involved with. She focuses particularly on her work with Eight (Το Οχτώ), the Green Park and the Embros Theatre, all of which are theatre p...

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Main Authors: Gigi Argyropoulou, Georg Döcker, Eve Katsouraki
Format: Article
Language:English
Published: Performance Philosophy 2022-04-01
Series:Performance Philosophy
Online Access:https://www.performancephilosophy.org/journal/article/view/382
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author Gigi Argyropoulou
Georg Döcker
Eve Katsouraki
author_facet Gigi Argyropoulou
Georg Döcker
Eve Katsouraki
author_sort Gigi Argyropoulou
collection DOAJ
description In this interview piece, the theorist, practitioner and curator Gigi Argyropoulou discusses current forms of political theatre in public spaces that she’s been involved with. She focuses particularly on her work with Eight (Το Οχτώ), the Green Park and the Embros Theatre, all of which are theatre projects situated in central Athens, in Greece. She analyses the dynamics of creating work collectively as a group of practitioners that share similar political and artistic objectives. The interview took place during the Covid pandemic which Argyropoulou discusses in relation to how it has affected her practice and the practice of performance projects she was currently running. Her analysis of the problematics and aspirations of a collective aesthetic in performance-making, discussed in relation to the occupy movement and the future of political performance in public spaces, offers us a sobering yet optimistic view of theatre in times of crisis as well as of the potential of theatre-making in future radical projects of protest, collectivity, and resistance.
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spelling doaj.art-49239993231b4fdfb10bff08c1bbfc482022-12-22T02:39:30ZengPerformance PhilosophyPerformance Philosophy2057-71762022-04-017110.21476/PP.2022.71382Powerlessness as PotentialGigi ArgyropoulouGeorg Döcker0Eve Katsouraki 1University of RoehamptonUniversity of the West of Scotland In this interview piece, the theorist, practitioner and curator Gigi Argyropoulou discusses current forms of political theatre in public spaces that she’s been involved with. She focuses particularly on her work with Eight (Το Οχτώ), the Green Park and the Embros Theatre, all of which are theatre projects situated in central Athens, in Greece. She analyses the dynamics of creating work collectively as a group of practitioners that share similar political and artistic objectives. The interview took place during the Covid pandemic which Argyropoulou discusses in relation to how it has affected her practice and the practice of performance projects she was currently running. Her analysis of the problematics and aspirations of a collective aesthetic in performance-making, discussed in relation to the occupy movement and the future of political performance in public spaces, offers us a sobering yet optimistic view of theatre in times of crisis as well as of the potential of theatre-making in future radical projects of protest, collectivity, and resistance. https://www.performancephilosophy.org/journal/article/view/382
spellingShingle Gigi Argyropoulou
Georg Döcker
Eve Katsouraki
Powerlessness as Potential
Performance Philosophy
title Powerlessness as Potential
title_full Powerlessness as Potential
title_fullStr Powerlessness as Potential
title_full_unstemmed Powerlessness as Potential
title_short Powerlessness as Potential
title_sort powerlessness as potential
url https://www.performancephilosophy.org/journal/article/view/382
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