Hiding and Revealing: Text and Image in Venantius Fortunatus’s Carmina

In his carmina, Venantius Fortunatus (sixth century) has left us three figurate poems that depict the cross as an image, while its verses describe the cross textually. He is thus an author who completely detaches figurate poems from the pagan tradition and inscribes them in the Christian one. The...

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Main Author: Gina Derhard-Lesieur
Format: Article
Language:English
Published: CERES / KHK Bochum 2023-04-01
Series:Entangled Religions - Interdisciplinary Journal for the Study of Religious Contact and Transfer
Subjects:
Online Access:https://er.ceres.rub.de/index.php/ER/article/view/10345
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author Gina Derhard-Lesieur
author_facet Gina Derhard-Lesieur
author_sort Gina Derhard-Lesieur
collection DOAJ
description In his carmina, Venantius Fortunatus (sixth century) has left us three figurate poems that depict the cross as an image, while its verses describe the cross textually. He is thus an author who completely detaches figurate poems from the pagan tradition and inscribes them in the Christian one. The aim of this essay is to examine these poems from a pictorialist perspective. To this end, after a brief presentation of all three poems, they are considered, firstly, as ekphraseis that draw on a three-step representation: The figure depicts a cross that points to transcendence, the verses describe it, and they have the potential to evoke an additional mental image in the reader. Secondly, I examine what image and text, and thus the figurate poems as intermedial products, gain through the respective other medium. This results, thirdly, in an analysis of the figurate poems within the categories of iconism, aniconism, and anti-iconism.  
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spelling doaj.art-4943fdb0dc1b4e269dff5405091a50962023-04-04T15:41:26ZengCERES / KHK BochumEntangled Religions - Interdisciplinary Journal for the Study of Religious Contact and Transfer2363-66962023-04-0114510.46586/er.14.2023.10345Hiding and Revealing: Text and Image in Venantius Fortunatus’s CarminaGina Derhard-Lesieur In his carmina, Venantius Fortunatus (sixth century) has left us three figurate poems that depict the cross as an image, while its verses describe the cross textually. He is thus an author who completely detaches figurate poems from the pagan tradition and inscribes them in the Christian one. The aim of this essay is to examine these poems from a pictorialist perspective. To this end, after a brief presentation of all three poems, they are considered, firstly, as ekphraseis that draw on a three-step representation: The figure depicts a cross that points to transcendence, the verses describe it, and they have the potential to evoke an additional mental image in the reader. Secondly, I examine what image and text, and thus the figurate poems as intermedial products, gain through the respective other medium. This results, thirdly, in an analysis of the figurate poems within the categories of iconism, aniconism, and anti-iconism.   https://er.ceres.rub.de/index.php/ER/article/view/10345Late AntiquityChristianitycrossimagespoemsiconotexts
spellingShingle Gina Derhard-Lesieur
Hiding and Revealing: Text and Image in Venantius Fortunatus’s Carmina
Entangled Religions - Interdisciplinary Journal for the Study of Religious Contact and Transfer
Late Antiquity
Christianity
cross
images
poems
iconotexts
title Hiding and Revealing: Text and Image in Venantius Fortunatus’s Carmina
title_full Hiding and Revealing: Text and Image in Venantius Fortunatus’s Carmina
title_fullStr Hiding and Revealing: Text and Image in Venantius Fortunatus’s Carmina
title_full_unstemmed Hiding and Revealing: Text and Image in Venantius Fortunatus’s Carmina
title_short Hiding and Revealing: Text and Image in Venantius Fortunatus’s Carmina
title_sort hiding and revealing text and image in venantius fortunatus s carmina
topic Late Antiquity
Christianity
cross
images
poems
iconotexts
url https://er.ceres.rub.de/index.php/ER/article/view/10345
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