J. Randvere „Ruthist” – eesti kirjandusliku dekadentsi ühest esimesest näitest. On J. Randvere’s Ruth: One of the First Examples of Estonian Literary Decadence

Ruth is one of the first examples of literary decadence in Estonian literature, a manifestation of the discourse of decadence that dominated the fin-de-siècle period. The function of this discourse was on the one hand the expression of the experience of modernity, and on the other, its critique. Jus...

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Main Author: Mirjam Hinrikus
Format: Article
Language:English
Published: University of Tartu and Estonian Literary Museum 2008-12-01
Series:Methis: Studia Humaniora Estonica
Online Access:https://ojs.utlib.ee/index.php/methis/article/view/464
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author_facet Mirjam Hinrikus
author_sort Mirjam Hinrikus
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description Ruth is one of the first examples of literary decadence in Estonian literature, a manifestation of the discourse of decadence that dominated the fin-de-siècle period. The function of this discourse was on the one hand the expression of the experience of modernity, and on the other, its critique. Just as in the majority of examples of literary decadence, Ruth is a ”studied composition”, relying more on cultural intertexts than on direct observation of the world of experience. Many of the explicit or implicit allusions latent in Ruth can be traced back to the texts of writers who generated syntheses of decadent sensibility: T. Gautier, C. Baudelaire, P. Bourget, F. Nietzsche, and O. Weininger. This article focuses on traces of the idea of affirmative aesthetic decadence in the Gautier-Baudelaire tradition, and Bourget’s ambivalent treatment of decadence as these are made visible in Ruth. Ruth exhibits the idea of affirmative aesthetic decadence of the German variety, though the negative connotations of decadence come to overwhelm the positive at the end of the 19th century. Negative nuances are mediated through Bourget’s ambivalent renderings of decadence, and specifically through his model of the decadentdilettante. While Bourget admired the decadent-dilettante as a symbol of European culture’s high level of refinement, it also signals overripeness and cultural decline. The veiled opposition to the decadent-dilettante attitude to life is carried in Ruth both by the narrator and the protagonist Ruth herself. The function of the opposition is to critique both the negative concept of decadence and more broadly, an overmodernized, therefore declining Europe
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spelling doaj.art-499f15a7aba44d4aba012c923c015fa52022-12-22T03:39:04ZengUniversity of Tartu and Estonian Literary MuseumMethis: Studia Humaniora Estonica1736-68522228-47452008-12-0111-210.7592/methis.v1i1-2.464J. Randvere „Ruthist” – eesti kirjandusliku dekadentsi ühest esimesest näitest. On J. Randvere’s Ruth: One of the First Examples of Estonian Literary DecadenceMirjam HinrikusRuth is one of the first examples of literary decadence in Estonian literature, a manifestation of the discourse of decadence that dominated the fin-de-siècle period. The function of this discourse was on the one hand the expression of the experience of modernity, and on the other, its critique. Just as in the majority of examples of literary decadence, Ruth is a ”studied composition”, relying more on cultural intertexts than on direct observation of the world of experience. Many of the explicit or implicit allusions latent in Ruth can be traced back to the texts of writers who generated syntheses of decadent sensibility: T. Gautier, C. Baudelaire, P. Bourget, F. Nietzsche, and O. Weininger. This article focuses on traces of the idea of affirmative aesthetic decadence in the Gautier-Baudelaire tradition, and Bourget’s ambivalent treatment of decadence as these are made visible in Ruth. Ruth exhibits the idea of affirmative aesthetic decadence of the German variety, though the negative connotations of decadence come to overwhelm the positive at the end of the 19th century. Negative nuances are mediated through Bourget’s ambivalent renderings of decadence, and specifically through his model of the decadentdilettante. While Bourget admired the decadent-dilettante as a symbol of European culture’s high level of refinement, it also signals overripeness and cultural decline. The veiled opposition to the decadent-dilettante attitude to life is carried in Ruth both by the narrator and the protagonist Ruth herself. The function of the opposition is to critique both the negative concept of decadence and more broadly, an overmodernized, therefore declining Europe https://ojs.utlib.ee/index.php/methis/article/view/464
spellingShingle Mirjam Hinrikus
J. Randvere „Ruthist” – eesti kirjandusliku dekadentsi ühest esimesest näitest. On J. Randvere’s Ruth: One of the First Examples of Estonian Literary Decadence
Methis: Studia Humaniora Estonica
title J. Randvere „Ruthist” – eesti kirjandusliku dekadentsi ühest esimesest näitest. On J. Randvere’s Ruth: One of the First Examples of Estonian Literary Decadence
title_full J. Randvere „Ruthist” – eesti kirjandusliku dekadentsi ühest esimesest näitest. On J. Randvere’s Ruth: One of the First Examples of Estonian Literary Decadence
title_fullStr J. Randvere „Ruthist” – eesti kirjandusliku dekadentsi ühest esimesest näitest. On J. Randvere’s Ruth: One of the First Examples of Estonian Literary Decadence
title_full_unstemmed J. Randvere „Ruthist” – eesti kirjandusliku dekadentsi ühest esimesest näitest. On J. Randvere’s Ruth: One of the First Examples of Estonian Literary Decadence
title_short J. Randvere „Ruthist” – eesti kirjandusliku dekadentsi ühest esimesest näitest. On J. Randvere’s Ruth: One of the First Examples of Estonian Literary Decadence
title_sort j randvere ruthist eesti kirjandusliku dekadentsi uhest esimesest naitest on j randvere s ruth one of the first examples of estonian literary decadence
url https://ojs.utlib.ee/index.php/methis/article/view/464
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