Le cinéma comme institution
Published together in 1983 in Cinéma, Writing Temptation, these four “somewhat counter-theoretical” texts, as Hasumi Shigehiko himself described them, were written in 1980 and 1981. They allow us to grasp the originality of his criticism, which is based on the encounter of the work as an event, as w...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Institut français de recherche sur le Japon à la Maison franco-japonaise
2022-03-01
|
| Series: | Ebisu: Études Japonaises |
| Subjects: | |
| Online Access: | http://journals.openedition.org/ebisu/7405 |
| _version_ | 1798046042140180480 |
|---|---|
| author | Shiguéhiko Hasumi |
| author_facet | Shiguéhiko Hasumi |
| author_sort | Shiguéhiko Hasumi |
| collection | DOAJ |
| description | Published together in 1983 in Cinéma, Writing Temptation, these four “somewhat counter-theoretical” texts, as Hasumi Shigehiko himself described them, were written in 1980 and 1981. They allow us to grasp the originality of his criticism, which is based on the encounter of the work as an event, as well as on the difficulty of reviewing it in light of the epistemological framework of contemporary thought. To designate his targets, Hasumi uses the notions of institution, narrative and narration, and even culture. While undoubtedly provocative, his opinions were based above all on detailed knowledge of contemporary debates in literary and film theory, philosophy, and semiology. |
| first_indexed | 2024-04-11T23:31:05Z |
| format | Article |
| id | doaj.art-49db07086d9c4463ac40688848c23db6 |
| institution | Directory Open Access Journal |
| issn | 2189-1893 |
| language | English |
| last_indexed | 2024-04-11T23:31:05Z |
| publishDate | 2022-03-01 |
| publisher | Institut français de recherche sur le Japon à la Maison franco-japonaise |
| record_format | Article |
| series | Ebisu: Études Japonaises |
| spelling | doaj.art-49db07086d9c4463ac40688848c23db62022-12-22T03:57:07ZengInstitut français de recherche sur le Japon à la Maison franco-japonaiseEbisu: Études Japonaises2189-18932022-03-015930531510.4000/ebisu.7405Le cinéma comme institutionShiguéhiko HasumiPublished together in 1983 in Cinéma, Writing Temptation, these four “somewhat counter-theoretical” texts, as Hasumi Shigehiko himself described them, were written in 1980 and 1981. They allow us to grasp the originality of his criticism, which is based on the encounter of the work as an event, as well as on the difficulty of reviewing it in light of the epistemological framework of contemporary thought. To designate his targets, Hasumi uses the notions of institution, narrative and narration, and even culture. While undoubtedly provocative, his opinions were based above all on detailed knowledge of contemporary debates in literary and film theory, philosophy, and semiology.http://journals.openedition.org/ebisu/7405CriticismCinemaInstitutionLiteratureNarrativeNarration |
| spellingShingle | Shiguéhiko Hasumi Le cinéma comme institution Ebisu: Études Japonaises Criticism Cinema Institution Literature Narrative Narration |
| title | Le cinéma comme institution |
| title_full | Le cinéma comme institution |
| title_fullStr | Le cinéma comme institution |
| title_full_unstemmed | Le cinéma comme institution |
| title_short | Le cinéma comme institution |
| title_sort | le cinema comme institution |
| topic | Criticism Cinema Institution Literature Narrative Narration |
| url | http://journals.openedition.org/ebisu/7405 |
| work_keys_str_mv | AT shiguehikohasumi lecinemacommeinstitution |