Nos reíamos como locas, como locas, como locas… La catástrofe eufórica en Yo era una chica moderna de César Aira.

César Aira’s Yo era una chica moderna can be read as a metaphorical reconstruction of the social dynamics surrounding the argentine socio-economical crisis culminated at the end of 2001. The national catastrophe is portrayed with an euphoric tone that draws ironically on a literary tradition accusto...

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Main Author: Lucrecia Velasco Esquivel
Format: Article
Language:English
Published: Milano University Press 2013-07-01
Series:Altre Modernità
Subjects:
Online Access:https://riviste.unimi.it/index.php/AMonline/article/view/3113
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author Lucrecia Velasco Esquivel
author_facet Lucrecia Velasco Esquivel
author_sort Lucrecia Velasco Esquivel
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description César Aira’s Yo era una chica moderna can be read as a metaphorical reconstruction of the social dynamics surrounding the argentine socio-economical crisis culminated at the end of 2001. The national catastrophe is portrayed with an euphoric tone that draws ironically on a literary tradition accustomed to associating popular advance with the monster figure and to focalizing the narrative through his violent point of view, thus communicating a sadistic glee in the very act of destruction. Nevertheless, the euphoria permeating the discourse can be also seen in the perspective of a new alliance between artists and lower classes emerging from the civil society’s spontaneous reaction to the crisis, specifically from a series of collective actions promoting horizontality, participation and solidarity between social groups. Aira’s novel seems to celebrate this unusual sensibility, especially in the literary field, where innovative practices began to diffuse as an answer to the new social demands.
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spelling doaj.art-4a0ed614c1594d9ca8ecb37f1dddda612023-09-02T22:37:59ZengMilano University PressAltre Modernità2035-76802013-07-010050251310.13130/2035-7680/31132758Nos reíamos como locas, como locas, como locas… La catástrofe eufórica en Yo era una chica moderna de César Aira.Lucrecia Velasco Esquivel0Università di Roma TreCésar Aira’s Yo era una chica moderna can be read as a metaphorical reconstruction of the social dynamics surrounding the argentine socio-economical crisis culminated at the end of 2001. The national catastrophe is portrayed with an euphoric tone that draws ironically on a literary tradition accustomed to associating popular advance with the monster figure and to focalizing the narrative through his violent point of view, thus communicating a sadistic glee in the very act of destruction. Nevertheless, the euphoria permeating the discourse can be also seen in the perspective of a new alliance between artists and lower classes emerging from the civil society’s spontaneous reaction to the crisis, specifically from a series of collective actions promoting horizontality, participation and solidarity between social groups. Aira’s novel seems to celebrate this unusual sensibility, especially in the literary field, where innovative practices began to diffuse as an answer to the new social demands.https://riviste.unimi.it/index.php/AMonline/article/view/3113César AiraOsvaldo LamborghiniFiestas del Monstruocrisis argentinaBelleza y Felicidadpoéticas antirrepresentativas
spellingShingle Lucrecia Velasco Esquivel
Nos reíamos como locas, como locas, como locas… La catástrofe eufórica en Yo era una chica moderna de César Aira.
Altre Modernità
César Aira
Osvaldo Lamborghini
Fiestas del Monstruo
crisis argentina
Belleza y Felicidad
poéticas antirrepresentativas
title Nos reíamos como locas, como locas, como locas… La catástrofe eufórica en Yo era una chica moderna de César Aira.
title_full Nos reíamos como locas, como locas, como locas… La catástrofe eufórica en Yo era una chica moderna de César Aira.
title_fullStr Nos reíamos como locas, como locas, como locas… La catástrofe eufórica en Yo era una chica moderna de César Aira.
title_full_unstemmed Nos reíamos como locas, como locas, como locas… La catástrofe eufórica en Yo era una chica moderna de César Aira.
title_short Nos reíamos como locas, como locas, como locas… La catástrofe eufórica en Yo era una chica moderna de César Aira.
title_sort nos reiamos como locas como locas como locas la catastrofe euforica en yo era una chica moderna de cesar aira
topic César Aira
Osvaldo Lamborghini
Fiestas del Monstruo
crisis argentina
Belleza y Felicidad
poéticas antirrepresentativas
url https://riviste.unimi.it/index.php/AMonline/article/view/3113
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