Sounding salvation: Theological perspectives on music as articulation of life

This paper proposes some theological perspectives on the phenomenon of sound (i.e. music), linking it to the gospel of salvation (i.e. well-being). Possible links between sound and music; sound and life; sound and silence; and sound and salvation are indicated. Some differences between the Western a...

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Main Author: Johan Cilliers
Format: Article
Language:English
Published: AOSIS 2014-11-01
Series:The Journal for Transdisciplinary Research in Southern Africa
Subjects:
Online Access:http://www.td-sa.net/index.php/td/article/view/97
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author Johan Cilliers
author_facet Johan Cilliers
author_sort Johan Cilliers
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description This paper proposes some theological perspectives on the phenomenon of sound (i.e. music), linking it to the gospel of salvation (i.e. well-being). Possible links between sound and music; sound and life; sound and silence; and sound and salvation are indicated. Some differences between the Western and African understandings of sound, music and life are highlighted; followed by suggestions concerning the connections between salvation, well-being, and the healing of life. A theological understanding of music as an expression of transcendence and anticipation is given, profiling it as a distinct form of hope. The paper concludes by comparing two iconic paintings that depict sound: The Scream by Edvard Munch and The Tortured Christ by Guido Rocha.
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spelling doaj.art-4a367ae4c2b04656baeb1cb0b63a5fed2022-12-21T19:42:32ZengAOSISThe Journal for Transdisciplinary Research in Southern Africa1817-44342415-20052014-11-0110210.4102/td.v10i2.9786Sounding salvation: Theological perspectives on music as articulation of lifeJohan Cilliers0Faculty of Theology, Stellenbosch UniversityThis paper proposes some theological perspectives on the phenomenon of sound (i.e. music), linking it to the gospel of salvation (i.e. well-being). Possible links between sound and music; sound and life; sound and silence; and sound and salvation are indicated. Some differences between the Western and African understandings of sound, music and life are highlighted; followed by suggestions concerning the connections between salvation, well-being, and the healing of life. A theological understanding of music as an expression of transcendence and anticipation is given, profiling it as a distinct form of hope. The paper concludes by comparing two iconic paintings that depict sound: The Scream by Edvard Munch and The Tortured Christ by Guido Rocha.http://www.td-sa.net/index.php/td/article/view/97Soundmusicsilencelife
spellingShingle Johan Cilliers
Sounding salvation: Theological perspectives on music as articulation of life
The Journal for Transdisciplinary Research in Southern Africa
Sound
music
silence
life
title Sounding salvation: Theological perspectives on music as articulation of life
title_full Sounding salvation: Theological perspectives on music as articulation of life
title_fullStr Sounding salvation: Theological perspectives on music as articulation of life
title_full_unstemmed Sounding salvation: Theological perspectives on music as articulation of life
title_short Sounding salvation: Theological perspectives on music as articulation of life
title_sort sounding salvation theological perspectives on music as articulation of life
topic Sound
music
silence
life
url http://www.td-sa.net/index.php/td/article/view/97
work_keys_str_mv AT johancilliers soundingsalvationtheologicalperspectivesonmusicasarticulationoflife