Il corpo-archivio nelle politiche della memoria: il caso di Pina Bausch

In this article, I take into account some reflections regarding the setting up of my doctoral research based on the study of the functioning of memory and the transmission of knowledge that has been underway since 2009, the year of the death of the choreographer Pina Bausch, both at the Bausch Found...

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Main Author: Gaia Clotilde Chernetich
Format: Article
Language:English
Published: Università di Parma 2019-12-01
Series:Ricerche di S/Confine
Subjects:
Online Access:https://www.ricerchedisconfine.info/dossier-5/CHERNETICH.htm
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author Gaia Clotilde Chernetich
author_facet Gaia Clotilde Chernetich
author_sort Gaia Clotilde Chernetich
collection DOAJ
description In this article, I take into account some reflections regarding the setting up of my doctoral research based on the study of the functioning of memory and the transmission of knowledge that has been underway since 2009, the year of the death of the choreographer Pina Bausch, both at the Bausch Foundation and at the dance company Tanztheater Wuppertal Pina Bausch. In particular, I dwell on the way in which the notion of "body-archive" has articulated and taken shape during my study. On the one hand, I was able to observe this notion at work in the dancers and ex dancers of the company I interviewed (Beatrice Libonati, Antonio Carallo, Marigia Maggipinto, Aida Vainieri, Cristiana Morganti, Damiano Ottavio Bigi), and on the other hand, I experienced myself the functioning of this notion, especially in the anthropological and ethnographic phases of research, of which in this paper I explicit some aspects concerning for example the relationship between the different temporal dimensions, memory and the archive.
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spelling doaj.art-4a4b5931c0a64d93a861e5cad24e9d052023-12-03T10:29:01ZengUniversità di ParmaRicerche di S/Confine2038-84112019-12-01Dossier 56677Il corpo-archivio nelle politiche della memoria: il caso di Pina BauschGaia Clotilde ChernetichIn this article, I take into account some reflections regarding the setting up of my doctoral research based on the study of the functioning of memory and the transmission of knowledge that has been underway since 2009, the year of the death of the choreographer Pina Bausch, both at the Bausch Foundation and at the dance company Tanztheater Wuppertal Pina Bausch. In particular, I dwell on the way in which the notion of "body-archive" has articulated and taken shape during my study. On the one hand, I was able to observe this notion at work in the dancers and ex dancers of the company I interviewed (Beatrice Libonati, Antonio Carallo, Marigia Maggipinto, Aida Vainieri, Cristiana Morganti, Damiano Ottavio Bigi), and on the other hand, I experienced myself the functioning of this notion, especially in the anthropological and ethnographic phases of research, of which in this paper I explicit some aspects concerning for example the relationship between the different temporal dimensions, memory and the archive.https://www.ricerchedisconfine.info/dossier-5/CHERNETICH.htmpina bauschcorpo archiviotanztheater wuppertal
spellingShingle Gaia Clotilde Chernetich
Il corpo-archivio nelle politiche della memoria: il caso di Pina Bausch
Ricerche di S/Confine
pina bausch
corpo archivio
tanztheater wuppertal
title Il corpo-archivio nelle politiche della memoria: il caso di Pina Bausch
title_full Il corpo-archivio nelle politiche della memoria: il caso di Pina Bausch
title_fullStr Il corpo-archivio nelle politiche della memoria: il caso di Pina Bausch
title_full_unstemmed Il corpo-archivio nelle politiche della memoria: il caso di Pina Bausch
title_short Il corpo-archivio nelle politiche della memoria: il caso di Pina Bausch
title_sort il corpo archivio nelle politiche della memoria il caso di pina bausch
topic pina bausch
corpo archivio
tanztheater wuppertal
url https://www.ricerchedisconfine.info/dossier-5/CHERNETICH.htm
work_keys_str_mv AT gaiaclotildechernetich ilcorpoarchivionellepolitichedellamemoriailcasodipinabausch