Madame Bovary 24 : l’héroïne flaubertienne au cinéma selon Sophie Barthes
The purpose of this article is to study the feature film Madame Bovary (2014) by Franco-American filmmaker Sophie Barthes, and to identify how it dialogues with the Flaubertian novel, while respecting its spirit and the psychology of the characters, but in a modern work whose target would rather be...
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| Format: | Article |
| Language: | English |
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Association Portugaise d'Etudes Françaises
2021-11-01
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| Series: | Carnets |
| Subjects: | |
| Online Access: | http://journals.openedition.org/carnets/13254 |
| _version_ | 1819015257286246400 |
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| author | Ana Alexandra Carvalho |
| author_facet | Ana Alexandra Carvalho |
| author_sort | Ana Alexandra Carvalho |
| collection | DOAJ |
| description | The purpose of this article is to study the feature film Madame Bovary (2014) by Franco-American filmmaker Sophie Barthes, and to identify how it dialogues with the Flaubertian novel, while respecting its spirit and the psychology of the characters, but in a modern work whose target would rather be a younger audience, after other well-known screen adaptations. This shows Emma Bovary has earned her place among the most famous literary types, even giving her name to a moral behaviour, « bovarism », the romantic dissatisfaction which prevents from living in the real world. She is indeed a fascinating character that the cinema has helped to make even more universal. |
| first_indexed | 2024-12-21T02:28:52Z |
| format | Article |
| id | doaj.art-4a4cad6300a74387ac93f6b8698e2515 |
| institution | Directory Open Access Journal |
| issn | 1646-7698 |
| language | English |
| last_indexed | 2024-12-21T02:28:52Z |
| publishDate | 2021-11-01 |
| publisher | Association Portugaise d'Etudes Françaises |
| record_format | Article |
| series | Carnets |
| spelling | doaj.art-4a4cad6300a74387ac93f6b8698e25152022-12-21T19:18:58ZengAssociation Portugaise d'Etudes FrançaisesCarnets1646-76982021-11-012210.4000/carnets.13254Madame Bovary 24 : l’héroïne flaubertienne au cinéma selon Sophie BarthesAna Alexandra CarvalhoThe purpose of this article is to study the feature film Madame Bovary (2014) by Franco-American filmmaker Sophie Barthes, and to identify how it dialogues with the Flaubertian novel, while respecting its spirit and the psychology of the characters, but in a modern work whose target would rather be a younger audience, after other well-known screen adaptations. This shows Emma Bovary has earned her place among the most famous literary types, even giving her name to a moral behaviour, « bovarism », the romantic dissatisfaction which prevents from living in the real world. She is indeed a fascinating character that the cinema has helped to make even more universal.http://journals.openedition.org/carnets/13254Literature and cinemaBovary (Emma)Flaubert (Gustave)Barthes (Sophie) |
| spellingShingle | Ana Alexandra Carvalho Madame Bovary 24 : l’héroïne flaubertienne au cinéma selon Sophie Barthes Carnets Literature and cinema Bovary (Emma) Flaubert (Gustave) Barthes (Sophie) |
| title | Madame Bovary 24 : l’héroïne flaubertienne au cinéma selon Sophie Barthes |
| title_full | Madame Bovary 24 : l’héroïne flaubertienne au cinéma selon Sophie Barthes |
| title_fullStr | Madame Bovary 24 : l’héroïne flaubertienne au cinéma selon Sophie Barthes |
| title_full_unstemmed | Madame Bovary 24 : l’héroïne flaubertienne au cinéma selon Sophie Barthes |
| title_short | Madame Bovary 24 : l’héroïne flaubertienne au cinéma selon Sophie Barthes |
| title_sort | madame bovary 24 l heroine flaubertienne au cinema selon sophie barthes |
| topic | Literature and cinema Bovary (Emma) Flaubert (Gustave) Barthes (Sophie) |
| url | http://journals.openedition.org/carnets/13254 |
| work_keys_str_mv | AT anaalexandracarvalho madamebovary24lheroineflaubertienneaucinemaselonsophiebarthes |