Literary Border Crossing and Cultural Belonging in Frederick Schiller Faust’s The Gentle Gunman
When Frederick Faust wrote The Gentle Gunman, locating it in Argentina, he did more than entertain American readers with new terrain in his western. By choosing to bordercross between the western and the Argentine gauchesque, he creates an opportunity to ask questions about the modernity of America...
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Format: | Article |
Language: | English |
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CBS Open Journals
2023-05-01
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Series: | American Studies in Scandinavia |
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Online Access: | https://rauli.cbs.dk/index.php/assc/article/view/6859 |
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author | Susan Savage Lee |
author_facet | Susan Savage Lee |
author_sort | Susan Savage Lee |
collection | DOAJ |
description |
When Frederick Faust wrote The Gentle Gunman, locating it in Argentina, he did more than entertain American readers with new terrain in his western. By choosing to bordercross between the western and the Argentine gauchesque, he creates an opportunity to ask questions about the modernity of American and Argentine cultures and the national identities emphasized by both societies.
This article begins by analyzing the characteristics of the western and the gauchesque in Faust’s novel. This article also provides an overview of the historical moment of the novel’s creation, expectations of readers from the time period, and Faust’s decision to eroticize the western’s setting. By doing so, this article answers the question about the hero’s displacement in a modern world that values class elitism above heroic characteristics. While scholars have analyzed different elements of Faust’s life and works, they have not discussed his border-crossing between the literary genres of the western and the gauchesque, two genres that emphasis national identity. By focusing on Faust’s border-crossing, it will become evident that Faust championed specific traits embodied by the cowboy and, in one case, the gaucho––all of which foster a sense of who belongs to the landscape and who does not.
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first_indexed | 2024-03-13T05:54:43Z |
format | Article |
id | doaj.art-4a84c7df69b44c439d4a204404359615 |
institution | Directory Open Access Journal |
issn | 0044-8060 |
language | English |
last_indexed | 2024-03-13T05:54:43Z |
publishDate | 2023-05-01 |
publisher | CBS Open Journals |
record_format | Article |
series | American Studies in Scandinavia |
spelling | doaj.art-4a84c7df69b44c439d4a2044043596152023-06-13T06:47:16ZengCBS Open JournalsAmerican Studies in Scandinavia0044-80602023-05-0155110.22439/asca.v55i1.6859Literary Border Crossing and Cultural Belonging in Frederick Schiller Faust’s The Gentle GunmanSusan Savage Lee When Frederick Faust wrote The Gentle Gunman, locating it in Argentina, he did more than entertain American readers with new terrain in his western. By choosing to bordercross between the western and the Argentine gauchesque, he creates an opportunity to ask questions about the modernity of American and Argentine cultures and the national identities emphasized by both societies. This article begins by analyzing the characteristics of the western and the gauchesque in Faust’s novel. This article also provides an overview of the historical moment of the novel’s creation, expectations of readers from the time period, and Faust’s decision to eroticize the western’s setting. By doing so, this article answers the question about the hero’s displacement in a modern world that values class elitism above heroic characteristics. While scholars have analyzed different elements of Faust’s life and works, they have not discussed his border-crossing between the literary genres of the western and the gauchesque, two genres that emphasis national identity. By focusing on Faust’s border-crossing, it will become evident that Faust championed specific traits embodied by the cowboy and, in one case, the gaucho––all of which foster a sense of who belongs to the landscape and who does not. https://rauli.cbs.dk/index.php/assc/article/view/6859WesternFrederick Faustgauchesqueborder crossing |
spellingShingle | Susan Savage Lee Literary Border Crossing and Cultural Belonging in Frederick Schiller Faust’s The Gentle Gunman American Studies in Scandinavia Western Frederick Faust gauchesque border crossing |
title | Literary Border Crossing and Cultural Belonging in Frederick Schiller Faust’s The Gentle Gunman |
title_full | Literary Border Crossing and Cultural Belonging in Frederick Schiller Faust’s The Gentle Gunman |
title_fullStr | Literary Border Crossing and Cultural Belonging in Frederick Schiller Faust’s The Gentle Gunman |
title_full_unstemmed | Literary Border Crossing and Cultural Belonging in Frederick Schiller Faust’s The Gentle Gunman |
title_short | Literary Border Crossing and Cultural Belonging in Frederick Schiller Faust’s The Gentle Gunman |
title_sort | literary border crossing and cultural belonging in frederick schiller faust s the gentle gunman |
topic | Western Frederick Faust gauchesque border crossing |
url | https://rauli.cbs.dk/index.php/assc/article/view/6859 |
work_keys_str_mv | AT susansavagelee literarybordercrossingandculturalbelonginginfrederickschillerfauststhegentlegunman |