Identity as Palimpsest

This article focuses on the formation of identity as a stratified discourse between the singular and the collective, and how that exchange is expressed as a visual palimpsest by the artists Annette Cords, G Farrell Kellum, and Njideka Akunyili Crosby. Through their artworks, each artist explores the...

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Main Author: Gregory Blair
Format: Article
Language:English
Published: MDPI AG 2023-07-01
Series:Arts
Subjects:
Online Access:https://www.mdpi.com/2076-0752/12/4/164
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author Gregory Blair
author_facet Gregory Blair
author_sort Gregory Blair
collection DOAJ
description This article focuses on the formation of identity as a stratified discourse between the singular and the collective, and how that exchange is expressed as a visual palimpsest by the artists Annette Cords, G Farrell Kellum, and Njideka Akunyili Crosby. Through their artworks, each artist explores their own identity formation, but also identity formation of those living amid the Postmodern condition of the Western world in the late stages of capitalism. All three artists explore how the collective is manifested in their singular identities by weaving in the personal, intimate, and everyday vernacular into their artworks while also including remnants of wider cultural influences. In the contemporary moment, the dynamic process of identity formation remains betwixt any sort of settled or concretized state. This unresolved status is also reflected in the conceptualization and construction of the artworks by Cords, Kellum, and Akunyili Crosby. The messy interplay between the singular and collective is presented in their artworks as unexpected juxtapositions of diverse information, images, materials, and mark-making.
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spelling doaj.art-4b83ab1e62834c57bc3fd98fbab04d9b2023-11-19T00:11:12ZengMDPI AGArts2076-07522023-07-0112416410.3390/arts12040164Identity as PalimpsestGregory Blair0Art and Design Department, University of Southern Indiana Evansville, Evansville, IN 47725, USAThis article focuses on the formation of identity as a stratified discourse between the singular and the collective, and how that exchange is expressed as a visual palimpsest by the artists Annette Cords, G Farrell Kellum, and Njideka Akunyili Crosby. Through their artworks, each artist explores their own identity formation, but also identity formation of those living amid the Postmodern condition of the Western world in the late stages of capitalism. All three artists explore how the collective is manifested in their singular identities by weaving in the personal, intimate, and everyday vernacular into their artworks while also including remnants of wider cultural influences. In the contemporary moment, the dynamic process of identity formation remains betwixt any sort of settled or concretized state. This unresolved status is also reflected in the conceptualization and construction of the artworks by Cords, Kellum, and Akunyili Crosby. The messy interplay between the singular and collective is presented in their artworks as unexpected juxtapositions of diverse information, images, materials, and mark-making.https://www.mdpi.com/2076-0752/12/4/164identitypalimpsestsingularcollectiveartwork
spellingShingle Gregory Blair
Identity as Palimpsest
Arts
identity
palimpsest
singular
collective
artwork
title Identity as Palimpsest
title_full Identity as Palimpsest
title_fullStr Identity as Palimpsest
title_full_unstemmed Identity as Palimpsest
title_short Identity as Palimpsest
title_sort identity as palimpsest
topic identity
palimpsest
singular
collective
artwork
url https://www.mdpi.com/2076-0752/12/4/164
work_keys_str_mv AT gregoryblair identityaspalimpsest