ART moves MIND moves ART The Moses of Michelangelo and the ‘Gestaltkreis’ of Art Reception

According to Gestalt theory the impact of arts is not adequately described as a transfer of an artist’s message into a recipient’s state of mind. As a matter of fact (and effect) art represents complex fields of meaning (figurations) rooting in the specific conditions of art creation and proceeding...

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Main Author: Fitzek Herbert
Format: Article
Language:deu
Published: Sciendo 2020-08-01
Series:Gestalt Theory
Subjects:
Online Access:https://doi.org/10.2478/gth-2020-0012
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author Fitzek Herbert
author_facet Fitzek Herbert
author_sort Fitzek Herbert
collection DOAJ
description According to Gestalt theory the impact of arts is not adequately described as a transfer of an artist’s message into a recipient’s state of mind. As a matter of fact (and effect) art represents complex fields of meaning (figurations) rooting in the specific conditions of art creation and proceeding to the concrete effects of art reception. From a psychological point of view artefacts cannot be reduced to static objects, nor are the recipients to be seen as passive spectators of the scenery. Aesthetical experience is an action field from which the material of art and its reception emerge. In my contribution the relationship of subject and object in art is modelled in terms of Victor von Weizsäcker’s Gestaltkreis of perception and action. For this purpose, I will refer to the favourite subject of art coaching: the Moses of Michelangelo in Rome.
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spelling doaj.art-4b9eefb065ce4906a9e06d6a21f644292022-12-22T01:49:30ZdeuSciendoGestalt Theory2519-58082020-08-0142213314410.2478/gth-2020-0012ART moves MIND moves ART The Moses of Michelangelo and the ‘Gestaltkreis’ of Art ReceptionFitzek Herbert0BSP Business School Berlin - Hochschule für Management, Siemens Villa, Calandrellistraße 1-9, 12247Berlin, Germany.According to Gestalt theory the impact of arts is not adequately described as a transfer of an artist’s message into a recipient’s state of mind. As a matter of fact (and effect) art represents complex fields of meaning (figurations) rooting in the specific conditions of art creation and proceeding to the concrete effects of art reception. From a psychological point of view artefacts cannot be reduced to static objects, nor are the recipients to be seen as passive spectators of the scenery. Aesthetical experience is an action field from which the material of art and its reception emerge. In my contribution the relationship of subject and object in art is modelled in terms of Victor von Weizsäcker’s Gestaltkreis of perception and action. For this purpose, I will refer to the favourite subject of art coaching: the Moses of Michelangelo in Rome.https://doi.org/10.2478/gth-2020-0012art psychologyart coachingfigurationgestalt circle
spellingShingle Fitzek Herbert
ART moves MIND moves ART The Moses of Michelangelo and the ‘Gestaltkreis’ of Art Reception
Gestalt Theory
art psychology
art coaching
figuration
gestalt circle
title ART moves MIND moves ART The Moses of Michelangelo and the ‘Gestaltkreis’ of Art Reception
title_full ART moves MIND moves ART The Moses of Michelangelo and the ‘Gestaltkreis’ of Art Reception
title_fullStr ART moves MIND moves ART The Moses of Michelangelo and the ‘Gestaltkreis’ of Art Reception
title_full_unstemmed ART moves MIND moves ART The Moses of Michelangelo and the ‘Gestaltkreis’ of Art Reception
title_short ART moves MIND moves ART The Moses of Michelangelo and the ‘Gestaltkreis’ of Art Reception
title_sort art moves mind moves art the moses of michelangelo and the gestaltkreis of art reception
topic art psychology
art coaching
figuration
gestalt circle
url https://doi.org/10.2478/gth-2020-0012
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