El fotoperiodismo en la Revolución Mexicana

At the beginning of the 20th Century, mainly in Mexico City, a group of photojournalists started publishing in the first illustrated magazines and newspapers. Right after providing a wide coverage of the celebrations of the Independence Centennial, these professional photographers began to document...

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Main Author: Samuel L. Villela Flores
Format: Article
Language:English
Published: Institut Pluridisciplinaire pour les Etudes sur l'Amérique Latine
Series:L'Ordinaire des Amériques
Subjects:
Online Access:https://journals.openedition.org/orda/2325
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author Samuel L. Villela Flores
author_facet Samuel L. Villela Flores
author_sort Samuel L. Villela Flores
collection DOAJ
description At the beginning of the 20th Century, mainly in Mexico City, a group of photojournalists started publishing in the first illustrated magazines and newspapers. Right after providing a wide coverage of the celebrations of the Independence Centennial, these professional photographers began to document the various moments, actors, and stages of the Mexican Revolution Movement (1910). This was one of the most significant episodes in the history of modern photojournalism.It is interesting to analyze how these photographers began to elaborate a new way of recording social events in the graphic press media, using their own professional technical knowledge, combined with the interests and visions of the newspaper directors, who were almost always linked to governmental power. This analysis will focus on Abraham Lupercio, the main photojournalist of La Ilustracion Semanal, as well as on the professional career of Ezequiel Carrasco, Gerónimo Hernández, and Manuel Ramos.
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spelling doaj.art-4bc6acff67f94a81961a994e978156d22024-02-14T14:56:53ZengInstitut Pluridisciplinaire pour les Etudes sur l'Amérique LatineL'Ordinaire des Amériques2273-009521910.4000/orda.2325El fotoperiodismo en la Revolución MexicanaSamuel L. Villela FloresAt the beginning of the 20th Century, mainly in Mexico City, a group of photojournalists started publishing in the first illustrated magazines and newspapers. Right after providing a wide coverage of the celebrations of the Independence Centennial, these professional photographers began to document the various moments, actors, and stages of the Mexican Revolution Movement (1910). This was one of the most significant episodes in the history of modern photojournalism.It is interesting to analyze how these photographers began to elaborate a new way of recording social events in the graphic press media, using their own professional technical knowledge, combined with the interests and visions of the newspaper directors, who were almost always linked to governmental power. This analysis will focus on Abraham Lupercio, the main photojournalist of La Ilustracion Semanal, as well as on the professional career of Ezequiel Carrasco, Gerónimo Hernández, and Manuel Ramos.https://journals.openedition.org/orda/2325photojournalismMexican Revolutiongraphic pressLupercio
spellingShingle Samuel L. Villela Flores
El fotoperiodismo en la Revolución Mexicana
L'Ordinaire des Amériques
photojournalism
Mexican Revolution
graphic press
Lupercio
title El fotoperiodismo en la Revolución Mexicana
title_full El fotoperiodismo en la Revolución Mexicana
title_fullStr El fotoperiodismo en la Revolución Mexicana
title_full_unstemmed El fotoperiodismo en la Revolución Mexicana
title_short El fotoperiodismo en la Revolución Mexicana
title_sort el fotoperiodismo en la revolucion mexicana
topic photojournalism
Mexican Revolution
graphic press
Lupercio
url https://journals.openedition.org/orda/2325
work_keys_str_mv AT samuellvillelaflores elfotoperiodismoenlarevolucionmexicana