Institutions and the Artworld – A Critical Note

Contemporary theories of institutions as clusters of stable solutions to recurrent coordination problems can illuminate and explain some unresolved difficulties and problems adhering to institutional definitions of art initiated by George Dickie and Arthur Danto. Their account of what confers upon o...

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Main Authors: Buekens Filip, Smit JP
Format: Article
Language:English
Published: University of Vienna 2018-02-01
Series:Journal of Social Ontology
Subjects:
Online Access:https://doi.org/10.1515/jso-2017-0008
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author Buekens Filip
Smit JP
author_facet Buekens Filip
Smit JP
author_sort Buekens Filip
collection DOAJ
description Contemporary theories of institutions as clusters of stable solutions to recurrent coordination problems can illuminate and explain some unresolved difficulties and problems adhering to institutional definitions of art initiated by George Dickie and Arthur Danto. Their account of what confers upon objects their institutional character does not fit well with current work on institutions and social ontology. The claim that “the artworld” confers the status of “art” onto objects remains utterly mysterious. The “artworld” is a generic notion that designates a sphere of human activity that involves practices that create goals that have led to the emergence of formal and informal institutions. But those institutions, rather than magically “creating” objects subjected to esthetic appreciation, merely solve familiar and ubiquitous coordination problems created by artistic activity in ways other institutions in other areas (science, religion, education…) solve similar and/or analogous coordination problems.
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spelling doaj.art-4bf963e5e0d6441086de3a7e041301582023-09-02T10:33:23ZengUniversity of ViennaJournal of Social Ontology2196-96552196-96632018-02-0141536610.1515/jso-2017-0008jso-2017-0008Institutions and the Artworld – A Critical NoteBuekens Filip0Smit JP1KU Leuven, Philosophy, K. Mercierplein 2, Leuven, BelgiumUniversity of Stellenbosch, Philosophy, Private Bag X1, Matieland, Stellenbosch, Western Cape, South AfricaContemporary theories of institutions as clusters of stable solutions to recurrent coordination problems can illuminate and explain some unresolved difficulties and problems adhering to institutional definitions of art initiated by George Dickie and Arthur Danto. Their account of what confers upon objects their institutional character does not fit well with current work on institutions and social ontology. The claim that “the artworld” confers the status of “art” onto objects remains utterly mysterious. The “artworld” is a generic notion that designates a sphere of human activity that involves practices that create goals that have led to the emergence of formal and informal institutions. But those institutions, rather than magically “creating” objects subjected to esthetic appreciation, merely solve familiar and ubiquitous coordination problems created by artistic activity in ways other institutions in other areas (science, religion, education…) solve similar and/or analogous coordination problems.https://doi.org/10.1515/jso-2017-0008john searlefrancesco gualagame theoryartartworld institutions
spellingShingle Buekens Filip
Smit JP
Institutions and the Artworld – A Critical Note
Journal of Social Ontology
john searle
francesco guala
game theory
art
artworld institutions
title Institutions and the Artworld – A Critical Note
title_full Institutions and the Artworld – A Critical Note
title_fullStr Institutions and the Artworld – A Critical Note
title_full_unstemmed Institutions and the Artworld – A Critical Note
title_short Institutions and the Artworld – A Critical Note
title_sort institutions and the artworld a critical note
topic john searle
francesco guala
game theory
art
artworld institutions
url https://doi.org/10.1515/jso-2017-0008
work_keys_str_mv AT buekensfilip institutionsandtheartworldacriticalnote
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